Kollist.   E. J.    
French Pastry, Confectionery and Sweets: Continental Dishes
FRENCH PASTRY, CONFECTIONARY AND SWEETS CONTINENTAL DISHES BY E.J. KOLLIST Chef Patissier WITH SEVENTY-SIX HALF-TONE ILLUSTRATIONS (a printer's device) CASSELL & COMPANY LTD. LONDON, TORONTO, MELBOURNE & SYDNEY
FIRST EDITION 1929. 255X165mm. 1fep. Half title. [2] Frontispiece of two Royal Icing Stands. Title Page. Verso with publishing date. v Preface. [1] vii-viii Introduction. ix Guide to Sections. [1] xi-xxvi Contents. xxvii-xxviii list of Illustrations. Section half title. [1] 3-268. 1fep. Original light brown cloth boards with 1/4 red cloth spine with gilt lettering. Externally and internally very clean with light foxing on the blank on back of the frontis. A fine copy not usually found in this condition.
- Based on Kollist's twenty nine years of extensive experience as Chief Patissier and Confectioner at Claridge's and the Savoy hotels in London as well as Confectioner on the Cunard ships Mauretania, Lusitania and Laconia. His book is not confined just to pastry. In total it includes fifteen sections of all the areas of the Patissier’s trade; Paste and Dough, Pastries, Flans and Gateaux, Petit-fours, Confectionery; sugar baskets, spun sugar, toffee, nougats, chocolates etc; English Puddings, Sauces, Souffles, Ices , Sorbets and Bombes, Fruit Dishes, Russian Specialities such as tvoroque, coulibiac and piroshki as well as several plates of decorative ice carving and including seventy five half tone illustrations in-text. This is a book from a professional chef aimed largely at other professionals. A fairly common book, but never the less an important item in any good and representative collection of antiquarian and modern pastry and confectionery books.

click on image to enlarge
Information

Modern category
ref number: 11033

Lambrecht.   Bernhard     - A wonderful record of German confectionary.
THE NEW STYLE OF CONFECTIONARY.
BY BERNHARD LAMBRECHT MASTER CONFECTIOER TRANSLATED FROM THE GERMAN Published by MACLAREN & SONS, LTD. 38, Shoe Lane, London, and Glasgow.
FIRST EDITION. c. 1930. 265 x 230 mm. 4to. 3feps with a small printers device on the 3rd one. Title page with the same printers device on the verso. p5 Contents. 6-132. 2feps. Nicely bound with modern half dark maroon calf with dark maroon cloth boards. Raised bands with gilt lines and gilt lettering in two compartments. Text block ‘as new’. Numerous large beautiful black and white plates and 9 full pages with colour plates tipped in, some with tissue guards. Very good plus.
- Bernhard Lambrecht, the son of a pastry chef, attended from 1907 to 1916 at the Great School in Wolfenbüttel. After graduation he was a soldier in the First World War. He then graduated as a pastry chef after an apprenticeship in the Wolfenbüttel Confectionery run by his father. In 1926, in Leipzig he sat for his Master's examination for the Confectionery trade. In 1927 he founded in Wolfenbüttel a private school for the ‘new pastry art’. He headed the school as a director until 1969. The other great confectioner's institution, the Master School of Confectioners, existed from 1938 until 1948. It was then taken over by the German Federal Confectioners guild, and later re-named the ‘Federal College for the Confectionery Trade’. The Federal College was up until the 1990s, the only training institution for inter-company confectioner training in Germany. Many trainees also came from abroad. From Japan, the USA and Canada, Brazil, Holland, Sweden and Norway. In 2004 the school was closed. Lambrecht, pursued the goal of lifting his profession to the highest level of the style of the Weimar Bauhaus. The Bauhaus was founded as an art school in 1919 by Walter Gropius in Weimar. The nature and conception was something completely new. It represented a merging of art and craft. It is today the most influential educational institution in the field of architecture, art and design. Its continues today as a major force in shaping the image of German designs abroad. In Germany, Bernhard Lambrecht is characterized as an internationally important pioneer and innovator of his profession. To this day Lambrecht’s influence on the modern café culture is immense. This 1930 Confectionary book he published testifies to his precise, beautiful craftsmanship. On page 7, Lambrecht declares that Confectionary is Art (with a capital A). This is a sentiment shared by many modern chefs who are also under the illusion that they are artists, and what they create is art. We can accept this is not true, if we read about Socrates' printed conversation with a learned pundit, where he clarifies after a long dialogue that “art must and does, with the use of mundane materials, elevate the conscious above the everyday existance”. Great cooking cannot do this, but it does cause wonder and awe at the craftsmanship displayed, but the final truth is, it ends up as just satisfying hunger. In conclusion, the most that can be said to describe great cooks, is that they are great artisans. Bernhard Lambrecht was one such artisan. This printed work conveys his craftsmanship beautifully. He must be accepted as one of the most important contributors to the famous German confectionary trade. This is a very handsome and well laid out book with many beautiful plates.

click on image to enlarge
Information

Modern category
ref number: 11223

Laurent   Paul    
Artistic Sugar Work
and Petit Fours. Maclaren & Sons Ltd., London & Glasgow. "Craft" Series.
FIRST AND SOLE EDITION 1934. Square 8vo. 205x205mm. 1fep. Half title. [1] Title page. [1] 1p Introduction. [1] 1p Section 1. [1] 9-175. 1p Contents. 1fep. With many b/w photographs in text. Full maroon cloth binding. With gilt lettering on the front board and spine. In very good condition with very slight rubbing at the top and bottom of the spine only.
- Paul Laurent was the Chef Patissier and Confectioner for 10 years at the Langham Hotel, London. This is a book dedicated to other professionals. Definitely not something the housewife would browse to find a little table decoration to make for a Saturday evening dinner party. The b/w photographs do not really do justice to this area of gastronomic craftmanship. They still manage to show that when done well, pieces of sugar work can surprise and amaze the uninformed. In the brigades of big professional kitchens, chefs competent and skilled in the difficult art of sugar-pulling and sugar-blowing were/are very rare. Books on sugar-work are rarer still.

click on image to enlarge
Information

Modern category
ref number: 11077

Montagné.   Prosper    
Larousse Gastronomique
Paris, France, Librairie Larousse, 1938
FIRST EDITON. 4to. Patterned paste-downs and endpapers. Preface by A. Escoffier and Ph. Gilbert. 1850 engravings and 16 full page plates in colour. French text. Black and white photos & illustrations throughout. Contents very clean and bright with very little sign of use. Original embossed and decorated cloth boards and spine. Gilt lettering is bright and clean. A wonderful copy.
- Alongside Georges-Auguste Escoffier's ‘Le Guide Culinaire’ and Louis Saulnier's ‘Le Répertoire de la Cuisine’, the Larousse Gastronomique became one of the key reference works on French national and regional cuisine for the professional chef. It is a reference text that codifies a history of the French culinary arts from the distant past to the present day in encyclopedic form. Entries cover such items as culinary terminology, foods, kitchen equipment, techniques, national cuisines, regional French cuisines, and historically significant chefs and restaurants. Philéas Gilbert was a collaborator in the creation of this book and also 'Le Guide Culinaire' with Escoffier, leading to some cross-over with the two books and causing Escoffier to note when he was asked to write the preface that he could “see with my own eyes, and Montagné (a Chef himself) cannot hide from me the fact that he has used 'Le Guide' as a basis for his new book, and certainly used numerous recipes.” Montagné's work signaled a break with the preceding era of French cookery (albeit with a big helping from his collaboration with the true Master; Escoffier) as exemplified by the architectural creations of Marie Antoine Carême. Montagné emphasized dishes that were simple by Carême's standards, and the shortened menus were delivered in the Russian style of service; meals served in courses on individual plates. This philosophy inspired the name of his culinary encyclopedia. Montagné covered the range from the relatively new haute cuisine to French provincial and home cooking with some attention to classic dishes of other nations Three editions of the Larousse gastronomique have been published in English. The first edition was published in 1961. Jennifer Harvey Lang edited the second English edition, published in 1988, from the 1984 French edition compiled and directed by Robert J. Courtine. Courtine's introduction describes the first edition as a monumental work, albeit one in need of some refurbishment. The new editions take into account technical innovations, advancements in food science, and a new culture of dining characterized by simpler meals and a dietary palette expanded through travel and global commerce. Yet the core achievements of Montagné including his recipes and technical advice on classical and regional French dishes are preserved. For the third English edition, published in 2001, Jennifer Harvey Lang worked from a new French edition edited by Joël Robuchon, the president of the Gastronomy committee of the Librairie Larousse. This edition claims to have retained the classic dishes and techniques of the original edition with a new found sensitivity to global influences in technique, presentation, ingredients, and recipes. It is 1,350 pages, over 150 pages longer than the preceding English edition and it includes two hundred new recipes and four hundred new entries. The Larousse Gastronomique no longer sits alone —- if it ever did. It does not provide the detail of the more narrow but specialized cookbooks. Nevertheless, it covers an immense breadth of culinary material, justifying its continued importance as a great volume of reference of French gastronomic tradition.

click on image to enlarge
Information

Modern category
ref number: 11020

Nignon   Edouard     - A special limited 2nd edition - #1445 of 2105.
Les Plaisirs de la Table
Ou, sous une forme nouvelle, l'Auteur a devoile maints delicieux secrets et recettes de bonne Cuisine, transcrit les precieux et de fins Gourmets fameux et de fins Gourmets, conseillers aimables et surs en l'Art du Bein Manger PREFACE DE M. ROBERT DE FLERS de l'Academie Francaise (A prinetr's device of a sheep) DESSINS de P.F. GRIGNON. A.PARIS CHEZ L'AUTEUR. 3, Place de la Madeleine et chez LAPINA. EDITEUR. 75, Rue Denfert-Rochereau Overage Depose
4to. Paste-down and fep with brown-on-brown design of food dishes and laid tables. 1fep. Half title. On the verso a breakdown of the print run stylishly designed as a wine glass and dated - April 15th 1930. Title page.[1] Dedication to A. Antonin Careme by Nignon. On verso - red illustration of a table setting. (1)ii-vii Preface by Robert de Flers. 1p Chapitre Premier. [1] 3-330. 331-334 Errata. 335-339 Table des Matieres. 1p Printer's device. 1fep. Last page and paste-down with brown-on-brown design of food dishes and laid tables. Text in black with many very fine red illustrations throughout. The start of each chapter is a full page illustrated design in red. Full original art nouveau style red and black paper cover with gold embossed lines in very good slightly faded condition. The spine has 1.5" chip at the top of the spine and a small chip at the bottom but has been finely repaired. Internally very clean. Edges untrimmed and many uncut.
- This handsome fully original copy of 'Les Plaisirs de la Table' is a true reflection of Nignon as a highly gifted chef who had a reputation for cooking very fine food. In print it is even recorded that at the time when Nignon was the Maitre Chef de Cuisine at Claridges Hotel in London, many in the trade thought him a superior craftsman to Escoffier, who was at the same time, Maitre Chef de Cuisine of The Carlton Hotel in Pall Mall. This copy although slightly larger page-wise than the first edition of 1926, is of a more pleasing design.

click on image to enlarge
Information

Modern category
ref number: 11143

Nignon.   Edouard     - A rare signed copy.
Les Plaisirs de la Table
Ou, sous une forme nouvelle, l'Auteur a devoile maints delicieux secrets et recettes de bonne Cuisine, transcrit les precieux et de fins Gourmets fameux et de fins Gourmets, conseillers aimables et surs en l'Art du Bein Manger PREFACE DE M. ROBERT DE FLERS de l'Academie Francaise (A prinetr's device of a sheep) DESSINS de P.F. GRIGNON. A.PARIS CHEZ L'AUTEUR et chez J. MEYNAIL, Libraire, 30, Boulevard HAUSSMANN OUVRAGE DEPOSE.
FIRST EDITION. Circa 1926. 4to. Paste-down and fep with red and blue print design. [1] 1 plain fep with Nignon’s signature and a dedication written in ink in a beautiful cursive script; a Madame Erlanger Respectueux Hommages de L’auteur E. Nignon. Half title. [1] 1p Dedication to A. Antonin Careme by Nignon. Frontispiece is a small red illustration. Title page.[1] (1)viii-xiv Preface by Robert de Flers. 1p Chapitre Premier. [1] (1)18-326. 1p Journal. [1] (1)329-333 Table des Matieres. 1p Printer's device. Last fep and paste-down with red and blue print design. Text in black with many very fine red illustrations throughout. The start of each chapter is a full-page illustrated design in red. Full original blue and crimson paper cover in very good condition. Internally very clean with pages slightly age browned due to the paper quality used at that time. Edges untrimmed and many pages uncut. A nice original copy of the first edition with the author’s signature.
- Edouard Nignon was born, one of eight siblings in Nantes on November 9, 1865. He died in Britian in 1934 one year before his great professional French compatriot, Auguste Escoffier. Nignon considered by many contemporaries to have been one of the best chefs of the time. He wrote and published three main titles. Two editions of Les Plaisirs de la Table, the first published in 1926. Two editions, the first published in 1919 of L' Heptaméron des Gourmets, ou, Les Délices de la Cuisine Française. One edition, first published in 1933 of Éloges de la Cuisine Française. Copies with Nignon’s signature are extremely rare.

click on image to enlarge
Information

Modern category
ref number: 11186

Nignon.   Edouard     - in fine original state.
Les Plaisirs de la Table
Ou, sous une forme nouvelle, l'Auteur a devoile maints delicieux secrets et recettes de bonne Cuisine, transcrit les precieux et de fins Gourmets fameux et de fins Gourmets, conseillers aimables et surs en l'Art du Bein Manger PREFACE DE M. ROBERT DE FLERS de l'Academie Francaise (A prinetr's device of a sheep) DESSINS de P.F. GRIGNON. A.PARIS CHEZ L'AUTEUR et chez J. MEYNAIL, Libraire, 30, Boulevard HAUSSMANN OUVRAGE DEPOSE.
FIRST EDITION. Circa 1926. 4to. Paste-down and fep with red and blue print design. 1fep. Half title. [1] 1p Dedication to A. Antonin Careme by Nignon. Frontispiece is a small red illustration. Title page.[1] (1)viii-xiv Preface by Robert de Flers. 1p Chapitre Premier. [1] (1)18-326. 1p Journal. [1] (1)329-333 Table des Matieres. 1p Printer's device. Last fep and paste-down with red and blue print design. Text in black with many very fine red illustrations throughout. The start of each chapter is a full page illustrated design in red. Full original blue and crimson paper cover in very good slightly faded condition. The covers supported by strong cardboard inserts. Internally very clean with pages slightly age browned due to the paper quality used at that time. Edges untrimmed. A nice original copy of an unusually well designed cookery book in Art Nouveau style.
- Edouard Nignon was born, one of eight siblings, in Nantes on November 9, 1865. At the very tender age of ten he was apprenticed to the restaurant Cambronne in Nantes, October 9, 1874. A year later, October 20, 1875, he entered the restaurant Monier, the best in the town. Some women there taught him to read and write in the style of the area. Later he worked in some of the largest Paris houses with the greatest chefs such as the Cafe Anglais and The Paillard, gaining a classic apprenticeship and elsewhere; Asst. Chef saucier at Chez Bignon. Chef saucier at Chez Voisin. Chef entremettier à l'exposition de 1889. Chef rôtisseur at La Lapérouse. Chef des cuisines at Marivaux. His many experiences and positions gave him access to the highest levels of society and a growing reputation. Nignon emigrated to Austria as Chef to the Emperor of Austria and then to Russia where he served the Czar and at L'Ermitage in Moscow and commanded a Kitchen brigade of 120 chefs. He also travelled to Britain where he held the post from 1894 - 1901 of Maitre Chef des Cuisiniers at Claridges Hotel in London. At this time another great Chef - Escoffier, was working at the Savoy and then the Carlton Hotel, Pall Mall. It is rumoured in print that there was a professional rivalry between the two chefs. The rumours indicate that many thought Nignon to be the more creative and precise craftsman. Nignon made his fortune and returned to Paris where he bought a house in 1908 and created the Restaurant Larue in the Place de la Madeleine. It became the most elegant in Paris, its customers were the finest in the world; artists, poets, writers, government ministers, stars of the stage, kings and princes, also cooking for President Woodrow Wilson. One client, le Marquis de Rouge, a prominent gourmet, once told Nignon that he liked and wanted a pink duck dish. Nignon created the famous ‘Caneton à la presse’, serving it with a bottle of Musigny 1884. He is also credited with creating the dish 'Homard à l'Américaine'. Nignon was also a successful business-man. Sacha Guitry, who knew him well, later wrote in the preface to one of his many books; ‘He always consulted with profit’. For the last years at his restaurant Nignon traded the chef’s toque for the Maitre d’ Hotel’s black uniform. His fame grew and grew. Observed going from table to table, advising a sole, offering a partridge, suggesting a dessert or a wine from his famous cellar, it was said that all Paris dined at his table. Nignon retired in 1921 and returned to Britain, where he died in 1934. (one year before Escoffier expired). Besides ‘Les Plaisirs de la Table’, he wrote two other great books: ‘L’Heptameron des Gourmets, ou, Les Delices de la Cuisine Francaise’, and ‘Eloges de la Cuisine Francaise’.

click on image to enlarge
Information

Modern category
ref number: 11134

Nignon.   Edouard     - In fine original condition.
E. NIGNON ELOGES DE LA CUISINE FRANCAISE
PRESENTATION DE SACHA GUITRY (A small illustration of game, fish, casserole and wine bottle) PARIS L'EDITION D'ART H. PIAZZA 19, RUE BONAPARTE. With an elaborate ornate illustrated blue/green border.
FIRST EDITION 1933. 238 x 190mm. 1fep. Half title. [1] Title page. [1] Pages 1&2 Presentation by Sacha Guitry. Dedication page to Robert de Flers. [1] 1page with large illustration in blue/green. [1] 11-426. 427-441- Index Alphabetique. [1]443-444 Index. Many beautiful illustrations thoughout. 1page Ouverges de Meme Auteur. 2feps. Text block in fine clean condition with many pages uncut. Original complete soft covers. The spine is age browned and the covers slightly less so, but everything as originally issued and clearly legible (See image # 1). A wonderful copy.
- While researching Nignon’s book I came across an article written in the Hotelkeeper & Caterer on 4th May 2004 by Michel Roux, the famous chef & proprietor of the Waterside Inn, Bray, Berkshire. It explained the book so well that I have copied the article in its entirety…….. “The cookbook I refer to most is 'Eloges de la Cuisine Française' by Edouard Nignon. It was originally published in 1933, but I found my copy quite by chance 35 years ago in a London bookshop. (It seems to be available only at auction now.) I knew about Nignon, of course - that he was one of our great chefs along with Escoffier and Carême, but I hadn't read anything that he'd written. As soon as I picked the book up and flicked through it I was hooked. I could sense the spirit of the man behind it - a man with a great passion for his career. Food for him was a life, a mission. He not only loved cooking, he loved to eat, too. And as well as being a great chef, he worked front-of-house in his own Paris restaurant, Le Restaurant Larue, in the early 20th century. That struck a chord with me, because when Albert and I first opened Le Gavroche in London we used to take it in turns to put on our evening suits and take the orders at the table. Something that made this book special was the fact that it really was ahead of its time. The way Nignon cooked would be totally acceptable today. His recipes show true respect for his produce, and they are light already - not dependent on cream at all. They rely on skill and the quality and taste of produce. This is why I love the book so much. The book is divided into three parts, with two-thirds being recipe-led and the remaining third being about Nignon's life. The first part is broadly on gastronomy, the second part is on the treasures of the kitchen - flavours, the table, etc - and the third part is written around different dinners that Nignon cooked. All the pages of my book are well-thumbed, and I can say absolutely that elements of many of my dishes have been inspired by the recipes and philosophies in it. Nignon passed on such a wealth of knowledge and wrote in such a passionate and inspirational manner - the beauty of a true master. The book is like a companion to me, because I can see part of myself in the book. It is truly inspirational to me - a work of art. Some of my more senior chefs at the Waterside have read this book, but as it is written in French and it is a very advanced book, it would have very little meaning to young chefs who are at the start of their culinary career, I think. It's one for when you are older.”

click on image to enlarge
Information

Modern category
ref number: 11195

Oxford.   Arnold Whitaker     - with a tipped-in letter signed by Oxford
Notes from a Collector's Catalogue
With a Bibliography of English Cookery Books, By A. W. Oxford. London: Messrs. JOHN and EDWARD BUMPUS. Limited, 350, Oxford Street. 1909.
FIRST EDITION 1909. On the first blank, a tipped in one page letter written and signed by Oxford. [1] Title page. [1] 1p Contents. [1] (1)2-116. 1p with printers info. [1] 2 feps. With original very clean grey cardboard boards with black ink title on the front. A cream cloth spine lightly browned. Half the original label missing. Internally a very clean, tight binding and untrimmed. Overall a very good copy in the original state. A very scarce item especially in this condition and with the signed letter.
- Dr. Arnold Whitaker Oxford was born at Keynsham in 1854, and graduated from Oxford University. He died on May. 30 1947 at the age of 93 after enjoying a long medical career. At one time he was resident at Charing Cross Hospital. He wrote quite a few books. Some on Freemasons but the better known on cookery. Oxford was an inveterate and odd collector. He started with playing cards and their accessories, and among many other collecting fevers he amassed collections of old silver, stay busks, knitting needle sheaths, domestic implements, seals and writing materials. diaries and engravings, religious objects, Egyptian antiquities, calendars, clocks and finally the items that fired him up the most: cookery books. He wrote two cookery bibliographies that are much used by collectors. This one -- 'Notes from a Collectors Catalogue' and the more comprehensive ' English Cookery Books to the Year 1850' On page 40 of the 'Notes from a Collectors Catalogue' there is a very good list of English books on Cookery and Carving up to the year 1699. Listing not only Oxford's collection, but also the holdings of the Bodleian, the British Museum, and the Cambridge and Patent Office libraries. At the back is also an STC of Cookery Books from 1700. The handwritten letter by Oxford is in his small 'hard to read' style states (as far as I can make out) -- 'July 2.19.08 Dear Sir I hear you bought lot 68 at Sothebys on June 25. 1908. I should be most obliged if you would let me see " The Count & County Cork" at home if ------. I cant come up and see it myself as I have been in bed for weeks. I am writing to present you with a book of mine as you will see from it on page 97 ----- I must want the ----. Y faithfully a.w. oxford.' (then written & underlined in another hand) --'Entered 3.7.09'.

click on image to enlarge
Information

Modern category
ref number: 11093

Pant.   Pushpesh     - signed by P. Pant.
INDIA COOKBOOK
Written by: PUSHPESH PANT. THE ONLY COOKBOOK ON INDIAN FOOD YOU'LL EVER NEED. PRODUCE OF INDIA. 1000 RECIPES. REAP #:1-0-06-205. WWW.PHAIDON.COM
FIRST EDITION 2010. 4to. 277x185mm. Pastedown and endpaper with a lovely 'welcome' illustration (see image #2 below). [1] Half-title with an illustration of the sun and rays and signed in orange ink -- "For. Robert Hendry Happy Cooking with warm regards Pushpesh Pant. Title page is a copy of the colourfully illustrated front cover. 2p Contents. (3)9-27 Introduction starting with map of india and portrait of the author, P.Pant. 2p Photograph of spice merchant. (1)31-793. 2 p Illustration for Directory 796-797. 2 p Illustration for Index 800-815. 1p Author's acknowledgements. [1] Illustrated end-paper and paste-down. Fully bound in white hard cardboard covers with an illustration of the sun and rays and bordered in typical Indian colours. The text block is richly illustrated with many two-page colour illustrations in the famous style of hand-painted Indian film posters. With numerous full page photographs of authentic Indian dishes. All the numerous chapters in multi-coloured paper. The book comes in a typical cream coloured Indian cloth bag with the same illustration as the book cover. A nice unusual touch. Pristine condition, as new.
- The author, Pushpesh Pant was born in 1946 in Nainital, northern India, and is a professor at the Jawaharlal Nehru University in New Delhi. A regular recipe columnist and author of many cookbooks, he has spent two decades collecting authentic family recipes from all over the country. He is extremely knowledgeable about the huge diversity of regional Indian cuisines and very passionate when communicating his knowledge. His very popular TV series: Jiggs Kalra's Daawat, conveys the historical origins and diversity of Indian regional cuisines. This fine book fills in some of the recipes missing from the series. Very scarce with the author's signature.

click on image to enlarge
Information

Modern category
ref number: 11183