Escoffier .   Georges Auguste     very rare.
La Morue.
A. ESCOFFIER LA VIE A BON MARCHE La morue 82 recettes -- pour -- l'accommoder ERNEST FLAMMARION, EDITEUR 26, RUE RACINE, PARIS. [2] A. ESCOFFIER Le riz L'ALIMENT LE MEILLEUR, LE PLUS NUTRIF 130 recettes -- pour -- l'accommoder ERNEST FLAMMARION, EDITEUR 26, RUE RACINE, PARIS.
FIRST EDITION. 1929. In original Yellow cover with red writing. The front cover with the same exact text as the title page. 1fep. [1] V1-V11 [1] [1] 10-67. p2. Advertisements. Nice clean condition, very slightly age browned throughout. 3 pages plus the inside cover with advertisements. The back cover advertising 4 of Escoffier's books with prices.
- Escoffier was a prolific writer publishing many Culinary gems over a long distinguished career as the most famous Chef in the world. La Morue is among the last of his ten major works, which he published at the grand ages of 80. It is also a very rare item, due in part to its delicate assembly causing it's lack of appearance in major collections or auctions.

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Modern category
ref number: 11255

COPLEY.   ESTHER     This title printed anonymously.
THE NEW FEMALE INSTRUCTOR;
OR YOUNG WOMAN'S GUIDE TO DOMESTIC HAPPINESS; CONTAINING GENERAL RULES FOR THE REGULATION OF FEMALE CONDUCT; TOGETHER WITH THE ELEMENTS OF SCIENCE, AS GEOGRAPHY, ASTRONOMY, NATURAL HISTORY, BOTANY, &c IMPORTANT HINTS IN REGARD TO ECONOMY; ALSO, Examples of Illustrious Women: TO WHICH ARE ADDED, ADVICE TO SERVANTS; A COMPLETE ART OF COOKERY; WITH PLAIN DIRECTIONS FOR CARVING; AND A GREAT VARIETY OF MEDICINAL AND OTHER USEFUL RECEIPTS; BEING AN EPITOME OF ALL THE REQUIREMENTS NECESSARY TO FORM THE FEMALE CHARACTER, IN EVERY CLASS OF LIFE. (a small single line) Illustrated with appropriate Engravings. (a small single line) LONDON: THOMAS KELLY, 17, PATERNOSTER ROW. MDCCCCXXXVII.
8vo. 217 x 147 mm. 1fep. [1] Frontispiece dated 1834. Title page. (1)iv-vi Preface. (1)viii Contents and Directions for plates. (1) 2-3 Introduction. 4-664. (1)666-670 Index. 1fep. Seven plates. Bound in full dark-brown calf with ornate faded gilt-spine re-laid. Text dusty and stained in places. Overall fine.
- Esther Hewlett Copley (1786 - 1851) was a Baptist prolific writer of fiction (children) and histories. Born in London to a French Huguenot silk manufacturer. She married James Hewlett, evangelical curate at St Aldates, Oxford, in 1809, and chaplain at Magdalen and New College. In 1827 she married William Copley a Baptist minister at New Road, Oxford, where she had already joined after the death of her first husband. In 1837 he became minister at Baptist Church, Eythorne, Kent, but her husband suffered signs of alcoholism, and he eventually left her in 1843. She remained at Eythorne until her death in 1851, but left the Baptist chapel in 1844, though she remained a Baptist. She wrote prolifically after 1815, mostly works for children, religious and moral tracts (uniting morality with domestic economy), and sacred history and biography, including The Cook's Complete Guide - 1827. (see item #11258 on this site). Cottage Comforts - 1825, (see item #10930 on this site). Cottage Cookery - 1849. (see item #11016. on this site). The Housekeeper's Guide - 1834. (see item #11269. on this site). The Young Servant’s Friendly Instructor - 1827. Catechism of Domestic Economy - 1850. Among her works for young people are The Old Man's Head, or, Youthful Recollections - 1823. My Mother's Stories, or, Traditions and Recollections - 1838. The Poplar Grove, or, Little Harry and his Uncle Benjamin - 1841. and Family Experiences and Home Secrets -n1851. Among her works written for children are Scripture Natural History for Youth - 1828. Scripture History for Youth - 1829. and Scripture Biography -m1835, and possibly her most significant work, A History of Slavery and its Abolition - 1836.

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Antiquarian category
ref number: 11303

Jourdan-Lecointe.   Dr    
Le Cuisinier des Cuisiniers.
1000 RECETTES DE CORDON BLUE FACILES ET ECONOMIQUES d'apres les decouveries recentes de la cuisine francaise, provencale, anglaise, italienne, suisse et allemande; 1° Patisserie; petit-fours; 2° office: confitures, sirops, fruits confits, li-quers; 3° filtration de l'eau et autres liquides; 4° procedes pour rafrai-chir l'eau et faire la glace; 5° conservation des substances alimentaires cuites ou a'l'etat frais, d'apres la methode d'Appert, par le dessiccation, le fumage, la salaison, etc; 6° choix, conservation et emploi des vins; 7° recettes pour faire des boissons economiques, grog et eaux gazeuses; 8° physiologie des pates alimentaires, des fromages, des poissons, du melon, etc; 9° choux et dissection des viandes et des poissons; 10° ser-vice de la table, ordre et soins de proprete; 11° dictonnaire des termes de cuisine; 12° musee des menages, choix d'ustensiles de cuisine et de menage dont l'usage merite d'etre recommande. AVEC L'INDICATION DE L'INFLUENCE DE CHAQUE METS SUR LA SANTE PAR M. LE DOCTEUR JOURDAN-LECOINTE. "A trente-deux aus, mon estomac ne digerait plus aucune espece de mets travailles par nos meilleurs cui-siniers: j'essayai de les preparer moi-meme sous un maitre habile qui dirigea mes premieres essais. Apres quinze aus d'experience et d'analyses sur nos preparations alimentaires, j'ai recuelli un grande nombre d'observa-tions sur cette mattiere importante. <> A L'USAGE DE TOUTE LES FORTUNES. QUATROZIEME EDITION, revue par r. de L, auteur de plusieurs procedes relatifs a'la conservation des substances alimentaires. ORNEE D'UN GRAND NOMBRE DE GRAVURES SUR BOIS. PARIS, L' MAISON, EDITEUR, RUE DE TOUNON, 17. 1856. L'editeur se reserve le droit de reproduction et de traduction.
190x125x45mm. 1fep. Half-title and on verso Frontispiece. Title page - on verso Division de l'ouvrage. 2p Au Lecteur. (1)4-24 Table Generale. (1)26-36 Table de Service. (1)38-645. [1] 1p Ouvrages Recommandes. [1] 1fep. The front and back covers are the original decorated cardboard ones, age browned but still clearly visible. The frontispiece is an exact copy of the front cover. The spine has been relaid in modern dark brown calf, with raised bands, gilt tooled devices in the compartments with two labels in red and green morrocco respectively, both with gilt lettering. Very clean inside except for the last chapter; Musee des Menages p612-645 which is evenly but lightly foxed throughout due to bad paper. All pages are original untrimmed size with some uncut. A nice copy overall.
- Docteur Jourdan-Lecointe published three cookery/gastronomic books… this one, ‘Le Cuisinier des cuisiniers’ which was first printed and published 1825. Also ‘La Cuisine de santé’. 3 volumes. First edition, Paris 1789. Cagle holds a re-issued copy of ‘La Cuisine de santé’, re-titled ‘La Cuisinier Royale ou Cuisine de Sante’ and dated 1792. He also informs that no other copy has been located. ‘La pâtisserie de santé’ was originally published in Paris, 1790. Cagle has an un-recorded third edition of 1793. Vicaire records the 1792 edition.

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Antiquarian category
ref number: 11152

King.   Dr William     The very rare undated 1st Edition.
The Art of Cookery
In Imitation of Horace's Art of Poetry. WITH SOME LETTERS TO Dr. LISTER, and Others: Occasion'd principally by the Title of a Book publish'd by the Doctor, being the works of Apicius Coelius, Concerning the Soups and Sauces of the Antients. With an Extract of the greatest Curiosities contain'd in that Book. To which is added, HORACE'S Art of Poetry, in Latin. By the Author of the Journey to LONDON. Humbly inscrib'd to the Honourable BEEF STEAK CLUB. LONDON: Printed for BERNARD LINTOTT at the Cross-Keys between the two Temple Gates in Fleet Street. Undated.
FIRST AUTHORIZED EDITION. n/d [1708]. Octavo (7.5 by 5 inches). 2fep. Half Title. [1] Title Page. [1] 4pp The Publisher to the Reader. 1-160. 2fep. Bound in black half calf with cloth boards and calf corners. Spine with raised bands, gilt lines and gilt lettering. Internally clean however with some slight browning to Half title and title and last leaf. A nice copy of a scarce book.
- There is a little, amusing, early typewritten note tipped in that states; 'The poem is in Latin, with an English paraphrase, full of good sense. Our English restaurateurs might mark the following couplet, referring to the greatest deficiency of our restaurants: 'Tis the Desert that graces all the Feast, for an ill end disparages the rest.' William King (1663-1712), English poet and miscellaneous writer. He was educated at Westminster School under Dr Busby, and at Christ Church, Oxford. His first literary enterprise was a defense of Wycliffe, written in conjunction with Sir Edward Hannes (d. 1710) and entitled Reflections upon Mons. Vaiillas's History of Heresy.. . (1688). He became known as a humorous writer on the Tory and High Church side. His chief poems are: The Art of Cookery: in imitation of Horace's Art of Poetry. With some Letters to Dr Lister and Others (1708), one of his most amusing works; The Art of Love; in imitation of Ovid ... (1709); "Mully of Mountoun," and a burlesque "Orpheus and Eurydice." A volume of Miscellanies in Prose and Verse appeared in 1705; his Remains.. . were edited by J. Brown in 1732; and in 1776 John Nichols produced an excellent edition of his Original Works with Historical Notes and Memoirs of the Author (see item #11281 below). Dr Johnson included him in his Lives of the Poets, and his works appear in subsequent collections.

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Information

Antiquarian category
ref number: 10939

Laurent   Paul    
Artistic Sugar Work
and Petit Fours. Maclaren & Sons Ltd., London & Glasgow. "Craft" Series.
FIRST AND SOLE EDITION 1934. Square 8vo. 205x205mm. 1fep. Half title. [1] Title page. [1] 1p Introduction. [1] 1p Section 1. [1] 9-175. 1p Contents. 1fep. With many b/w photographs in text. Full maroon cloth binding. With gilt lettering on the front board and spine. In very good condition with very slight rubbing at the top and bottom of the spine only.
- Paul Laurent was the Chef Patissier and Confectioner for 10 years at the Langham Hotel, London. This is a book dedicated to other professionals. Definitely not something the housewife would browse to find a little table decoration to make for a Saturday evening dinner party. The b/w photographs do not really do justice to this area of gastronomic craftmanship. They still manage to show that when done well, pieces of sugar work can surprise and amaze the uninformed. In the brigades of big professional kitchens, chefs competent and skilled in the difficult art of sugar-pulling and sugar-blowing were/are very rare. Books on sugar-work are rarer still.

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Information

Modern category
ref number: 11077

Dubois.   Urbain    
The Household Cookery Book.
PRACTICAL AND ELEMENTARY METHODS BY URBAIN-DUBOIS AUTHOR OF THE 'ARTISTIC-COOKERY', AND THE 'COSMOPOLITAN-COOKERY'. La Parfaite ordonnance d'une maison, la bonne alimentation d'un menage,ont pour double resultat, d'entretenir la sante de la famille, et d'en resserrer les liens precieux. SECOND EDITION, ENLARGED. LONDON: LONGMANS, GREEN, & CO. 1873.
8vo. 220x165mm. 1fep. Half title. The verso - Advertisements. Engraved Title page. [1] Title page. Verso with facsimile signature of Urbain Dubois. (1)vi Preface and with full page engraving of a table service. [1] (1)viii-xiv Service of the table. (1)xvi-xxxiv Bills of fare. (1) xxxvi Stove and hot-closet. (1)xxxviii-xlv Translation of the articles. [1] 1p Errata. [1] (1)2-512. (1)514-532 Index. (1)534-544 Opinions of the English press. 1fep. Original dark blue cloth binding with gilt lettering on spine and a bright small gilt tooled game bird on the front board. Internally very clean with many fine engravings in-text. Overall a fine copy.
- This is one of the rarest Urbain Dubois books. It is not in Cagle, Driver, Attar, Bitting. Oxford only mentions the 1871 first edition in the Appendix. Besides the Marks collection sold at the Dominic Winter Auctions on 9th March 2006, there is not a copy in any of the major cookery book collections going back before Quigley Murphy's auction in New York on April 19th, 1926. This also appears to be a re-arranged English translation of Dubois' book - 'Ecole des Cuisiniers', with similar chapters and engravings.

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Information

Antiquarian category
ref number: 11084

Pennell.   Elizabeth Robins     - A limited edition of 500 & a signed letter.
My Cookery Books
by Elizabeth Robins Pennell. The verso states 'This 1983 edition limited to 500 copies. this is number 54.'
174 x 248mm. Front and back paste-downs and endpapers, in bottle green paper. 1fep with a tipped in note hand-written by Pennell on the verso. Title page. 2p Forward by Mike McKirdy of ‘CooksBooks’. [1] 15p Index of Authors and Titles. [1] Facsimile of original Title page. [1] (1)vi-x Introduction. (1)xii Illustrations. Half Title. [1] My Cookery Books 2-171. [1]. Original quarter bound green cloth with marbled boards. Paper printed label on spine. The tipped in hand-written postcard by Pennell with her messy writing style reads – “I must send at least a good to say “Thank You” for I think it so good of you to remember the Oatcake sounds very good, but I am not sure if the ----- ------ will ---- to it. However, we shall see! E R Pennell 25.2.17. A scarce item in excellent condition.
- Elizabeth Robins Pennell, born February 21, 1855 was an American author. She was the wife of American artist, illustrator and fellow author, Joseph Pennell, whom she married in June 1884. He provided the illustrations for many of her books. They rebuked the staid Victorian sensibilities of their times. After an eyebrow-raising marriage in 1884, offending both his Quaker family and her Catholic family, they raised more eyebrows by tri-cycling through France, the Alps, and Italy. Elizabeth sat in the sidecar-like seat, Joseph perched on the high seat. Pennell would go on to author over twenty-five books, some of which are now in print again. She also wrote articles for The Atlantic Monthly and newspapers, including a food column—“The Wares of Autolycus”—for London’s The Pall Mall Gazette. Nothing in her background suggested that Elizabeth Pennell would become one of the world’s best-known cookbook collectors. She collected rare cookbooks for more than 27 years and wrote this intriguing bibliographical essay about them, which was first published in 1903. Her other famous Culinary work is the ‘The Feasts of Autolycus: the Diary of a Greedy Woman’ - first edition 1898. The Pennells frequented cafés in France and Italy, with their many artist friends. The European café culture, contributed enormously to her culinary education, preparing her for writing her food columns. Because she couldn’t wield a saucepan with ease when she started writing her food column, one of the Pennells’ friends, publisher William E. Henley, saved her by giving her a copy of Alexander Dumas’s Dictionnaire de la Cuisine. With the acquisition of Dumas’s book, Pennell marveled, “It was with something of a shock that I woke one morning and found myself a collector of cookery books.” And when she passed up a new dress for a rare first edition of “good old Hannah Glasse,” she knew she was a serious collector At one point, Pennell owned over 1,000 rare cookbooks. Her glee over the range of her collection comes out in this book where she writes – ‘If it be a mistake to collect, at least I have collected so well that I have yet to find the collection of cookery books that can equal mine. It may be put to shame when I consult M. Georges Vicaire’s Bibliographie Gastronomique (1890), with its twenty-five hundred entries, especially as M. Vicaire’s knowledge of the English books on the subjects is incomplete, and his ignorance of the American exhaustive, - and he has never heard of Miss Leslie, poor man’. Pennell also owned a copy, published in 1498, of De Re Culinaria, by the third century Roman gastronome who called himself Apicius. It is thought to have been the first cookbook in the Western world. The great collector is being re-found and appreciated due to the re-publishing of some of her work. She died in New York City in February of 1936. Below is a photograph portrait from the Victoria & Albert Museum of Elizabeth Robins Pennell, taken crica 1890, by Frederick Hollyer (1837-1933)

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Information

Modern category
ref number: 11094

Frewin.   Leslie [Editor]     - With a Cafe Royal Christmas menu.
The Cafe Royal Story
A Living Legend EDITED BY Leslie Frewin WITH A FOREWARD BY Graham Greene LONDON: HUTCHINSON BENHAM.
FIRST EDITION. 1963. Large 4to. Paste-down and end-paper with sepia photograph. [1] Half title. [2] Frontispiece copy of a Charles Ginner painting of the Cafe Royal. Title page in black with a large ornamental decoration in red. Verso with printers info. 1p Introduction. [1] 2p Contents. 9-10 Paste-down and end-paper with sepia photograph. With numerous photographs and illustrations in-text, some full page. Fully bound in cream cloth. Spine with red writing and boards with fine illustration in red and black. All in excellent condition; as new, protected by a plastic wrapper. Also enclosed is a Christmas Luncheon menu for December 11th 1964, for 'The Horticultural Press Club'. Cream coloured with black text, in fine condition.
- The Cafe Royal, established in 1865, boasted its famously opulent Grill Room, considered one of London's finest dining rooms; the great Empire and Napoleon suite, elegantly lit by chandeliers made of Venetian glass, was favoured by those looking for a memorable party venue. For more than a century after it was built on Regent Street by a Parisian wine merchant, the rich and famous would flock there to eat, drink, dance and be merry. The Grill Room was also once its most notorious. It was there that the Marquess of Queensberry spotted his son, Lord Alfred Douglas (aka Bosie), lunching with Oscar Wilde "in the most loathsome and disgusting relationship". He later wrote a furious letter to his son, threatening to shoot Wilde on sight, to which Bosie insouciantly telegrammed back: "What a funny little man you are." The Café Royal was a favourite haunt of Wilde, who had a famous absinthe hallucination there when he thought the waiter, who was stacking chairs, was in fact watering the floor, covered in tulips, with a watering can. Other famous Patrons included Rudyard Kipling, Noel Coward, Sir Winston Churchill, Cary Grant, Brigitte Bardot, Elizabeth Taylor, Vitrginia Woolf, Mick Jagger, Princess Diana, Margaret Thatcher and Muhammad Ali. On 2oth January 2009, the curtains came down, literally, in the Café Royal. After 143 illustrious years, the fixtures, fittings and all the equipment of this venerable London institution was being put under the hammer of Bonhams the Auctioneers, after the Crown Estate decided to redevelop the site at that end of Regent Street. Had it spent its life almost anywhere else, the slightly battered silver serving trolley with the fickle steering would have barely raised an eyebrow in the dining room, let alone a flurry of paddles in an auction house. But this piece of functional furniture has had an extraordinary history. Amazingly, the electroplated trolley sold for £12,000 in the Everything-Must-Go sale. By the end of the two-hour auction, more than £200,000 had been raised. All 110 lots had been sold, some for as much as 10 times their asking price. An early 20th century Venetian chandelier adorned with 20 lights was the most expensive lot, going for £15,600, twice its guide price. Lot 93, a pair of late 19th century oak coopered barrels long drained of the alcohol they once contained, went for £8,400, almost five times their estimate. A number of pictures by artists so undistinguished their names weren't even listed in Bonhams' brochure sold for thousands of pounds – purely, it seemed, because they depicted scenes from the Cafe Royal, and had once hung in the venue's famously opulent chambers. One, a scene of the grill room filled with men in top hats and tails, sold for £4,800, despite Bonhams estimating its value at between £200 and £300. One buyer who bid purely for sentimental reasons was Susan Hughes, an antique dealer from Weybridge, who snapped up one of the auction's most curious lots. She ended up paying £4,200 for what the brochure, giving a guide price of £100-£200, described as "a 19th century electroplated duck press". It was in fact the press for ‘Canard a’la Presse’ – for more than a century the celebrated speciality of Paris’s grandest restaurant, La Tour d’Argent. This niche piece of equipment, which resembled a large grapefruit press, is used to squeeze out the juices of a freshly killed and roasted duck carcass, which in turn are used to thicken the duck jus. Hughes's father, Eric Hartwell (see image #3 below) was chief executive of the Forte catering and hotel empire, which bought the Cafe Royal 1954. "I spent much of my childhood playing in the Cafe Royal, and my father was very proud of the duck press," she said. As her husband loaded the contraption into the back of their car, he admitted that though the couple were delighted to own this piece of history, they wouldn't be using it. "We're both vegetarians," he said. So that is the final chapter that should be in the book. Overall it is a fascinating story of a grand eating establishment that was on a par with The Savoy, Claridges, The Ritz et al. One will never see the same again. This interesting volume is a meal, a fine wine and a waltz thro’ a different age with a hearty dose of gossip thrown in to round of a memorable time.

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Information

Modern category
ref number: 11111

David.   Elizabeth     - A very scarce set.
4 Recipe Booklets.
1. Syllabubs and Fruit Fools. 2. English Potted Meats and Fish Pates. 3. Dried Herbs, Aromatics and Condiments. 4. The Baking of an English Loaf.
All booklets 150x112 mm. #1. A Second edition of 1971. 20p with a blue water stain running thro' all the pages, not too bad. #2. A first edition n/d but copyrighted 1968. 20p and unblemished. #3. A first edition n/d but copyrighted 1969. 20p. A nice copy with a very small stain dot on the front cover. #4. A first edition n/d but copyrighted 1969. 24p. A nice clean copy. Overall four very nice items and very scarce as a full set.
- Elizabeth David CBE (born Elizabeth Gwynne, 26 December 1913 – 22 May 1992) was a British cookery writer who, in the mid-20th century, strongly influenced the revitalisation of the art of home cookery with articles and books about European cuisines and traditional British dishes. Her prose style was at once imperious, informative, passionate and above all evocative. Her books have truly inspired generations to step into the kitchen heat and find that passion for themselves. She wrote in Vogue in 1960 after visiting Cavaillon, in Provence, on market day. "Here you can buy everything for a picnic lunch beautiful sprawling ripe tomatoes, a Banon cheese wrapped in chestnut leaves, Arles sausages, pate, black olives, butter cut from a towering monolith". David opened a kitchen utensil shop with friends (with whom she later, inevitably, fell out) at 64 Bourne St, London SW1, selling the artisan cooking pots and equipment she loved and that everyone else later copied. Its launch in 1965 was headline news. She was responsible for Le Creuset introducing its traditional orange coloured cast-iron pans in blue - inspired by the colour of her Gauloise cigarette packet. These four booklets were published at various dates during the 60's and 70's and sold at Bourne St. The shop continued to trade under her name after she left it in 1973. Also at the same time, working with the food photographer Anthony Denney, she changed the way recipes were presented in magazines. No studio shots of mashed potato masquerading as ice-cream as was the practice then; the photographs are simply of what she had cooked. Her life was remarkable and her legacy astonishing. Her brilliant writing was the outcome of racketing around the Mediterranean, travelling, drinking and eating alone in Italy, and holing herself up in Ross-on-Wye with another man while her husband was in India. By all accounts she could be disagreeable, but that shouldn't put anyone off her books. And now that we know how extraordinarily racy her life was there's even more reason not to forget her.

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Ephemera category
ref number: 11172

Senn.   C.Herman     - With one of the original menus in the book.
The Menu Book
The Menu Book. FOURTH EDITION OF PRACTICAL GASTRONOMY. A MENU COMPILER AND REGISTER OF DISHES [Copyrighted 1892] BY C.HERMAN SENN, G.C.A., Inspector and Consulting Chef, National Training School of Cookery, 1892-1908. AUTHOR OF "RECHERCHE COOKERY" "THE NEW CENTURY COOKERY BOOK" RECHERCHE SIDE DISHES" "THE PRACTICAL COOKERY MANUAL," ETC., ETC. (A vignette with "Food & Cookery Publishing London SW) LONDON. S.W.: THE FOOD & COOKERY PUBLISHING AGENCY. WESTMINSTER. mdcdviii.
12mo. The paste-downs and end-papers marbled. 1fep. Title page & on verso - advertisements. 1p Preface & on verso - advertisements. 5-8 Principal Contents. 9-320. 6p Advertisements. 2p Cookery Books by Herman Senn. 1fep. Crimson morocco binding with wonderfully fresh gilt vingette of a woman sitting at a table and the book title. Re-laid spine with the original gilt lettering cut out and laid down. There are numerous illustrations of menus throughout. On page 53 there is a nicely illustrated facsimile 'Menu du Souper' dated 1908. Enclosed with this copy of Senn's book is a menu that is the exact same one as that on page 53. Everything, from the embossed gilt crest, the drawing and actual menu is the same except the date. Interestingly the date is 1892. It suggests that the date on the menu on page 53 has been changed to match the published date of the book. There are also some stamps and writing on the back of the real menu that suggests it may have come from an archive. A rare book especially in this condition and with the handsome menu.
- Charles Herman Senn (1864-1934) was one of the founders of the Universal Cookery and Food Association - UCFA. The UCFA was never a very large organisation, but was a very interesting one because its origins were linked with those of L'Art Culinaire in France, yet it developed a most peculiarly English slant of its own. It grew out of a small group of about two dozen members calling itself The Culinary Society which under the leadership of Eugene Pouard, organised cookery competitions based on the model of the Art Culinaire group. THe UCFA"s first committee of management had a predominance of London based French chefs, as well as Queen Victoria's chef, Monsieur J.Menager. There were also several other foreign and english names including that of Senn. He was the dominating figure from its inception in 1887 until his death. The association grew rapidly from the 186 members in 1892 to more than 1200 in 1902. Though this was scarcely a mass movement, it was too large for the dominance of French chefs to endure and by the early twentieth century there was a separate Association Culinaire Francaise - ACF in London. Senn and UCFA maintained cordial relations with ACF. Senn himself never questioned the supremacy of French cooking, but perhaps for that reason steered the UCFA away from any attempt to compete in that domain. The focus he gave to the association was an overriding concern with educational and charitable work. The notion that the standing of the cooking profession can best be advanced through ever-greater achievements in haute-cuisine for a social elite was entirely absent from the UCFA"s thinking and aims. Instead its object was 'to promote and encourage the advancement of cookery among all classes of the community' -- (Cookery Annual, 1908: 56) How this was to be achieved was spelled out in a list of aims and activities. First among these was the holding of exhibitions - an aim shared with L'Art Culiniare. The UCFA organised cookery exhibitions in London in direct line of succession from the first in 1885 until the 1930s, when the collaboration of a special sponsor was enlisted. Out of these exhibitions directly stem the biennial Hotelympia events of the present day, out of which the very popular and competitive (among chefs and pastry chefs) 'Salon Culinaire' still forms a part. Senn's influence on the whole educational and professional grounding of all British chefs, even today, should not be overlooked. Although a most dedicated cook (even training under Francatelli at the Reform Club) and a prolific writer, he was also a consulting Chef to the National Training School for Cookery, and through his connections with the Westminster Technical Institute, he was often called upon by government agencies to create 'syllabuses and examinations, notably setting standards for the training of army, navy, hospital and prison cooks' - Driver pp 540.

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Information

Antiquarian category
ref number: 11010