Marshall   Agnes Bertha     - with the four coloured plates.
THE BOOK OF ICES.
[FOURTEENTH THOUSAND.] INCLUDING CREAM AND WATER ICES, SORBETS, MOUSSES, ICED SOUFFLES, AND VARIOUS ICED DISHES, WITH NAMES IN FRENCH AND ENGLISH, AND VARIOUS COLOURED DESIGNES FOR ICES. BY A.B. MARSHALL. (Copyright.) REVISED AND ENLARGED EDITION. London: MARSHALL’S SCHOOL OF COOKERY, 32, MORTIMER STREET. SIMPKIN, MARSHALL, HAMILTON, KENT & CO., LIMITED, 4, STATIONERS’-HALL, COURT. [Price Half-a-Crown nett.]
180 x 120mm. n/d. Front paste-down and end-paper with lovely advertisements. Half-title. On verso advertisement for all Marshall’s books. [1] Frontispiece – one of the four coloured plates. Title page with tissue guard. [1] (1)vi-vii Contents. [1] (1)2-52. (1)54-76 Advertisements featuring wonderful illustrated drawings of Marshall’s ice-moulds, ice-pots and machines. (1)78-79 Index. On verso advertisement for all Marshall’s dry goods. [1] End-paper and paste-down with lovely advertisements. Original bright blue cloth cover with blind tolled lines and bright gilt writing. Internally very clean with the four coloured plates with tissue guards. A lovely copy of this very scarce much sought after thin volume. Earlier copies were published without the plates and had limited advertisements.
- Mrs. Agnes Bertha Marshall (born Walthamstow, Essex 1855 – died Brighton 1905) was a celebrity cook similar to today's television stars who hold cookery demonstrations and write books. Had there been television in her day, Mrs. Marshall would have without question, been a cookery pundit on the small screen. She was very well informed and always keen to adopt new technology. Agnes Marshall wrote four books: ‘The Book of Ices’ 1885; ‘Mrs. A.B. Marshall's Book of Cookery’ 1888; ‘Mrs. A.B. Marshall's Larger Cookery Book of Extra Recipes’ 1891; ‘Fancy Ices’ 1894; These are considered to be some of the finest books of their type ever written, especially those on ices, of which Mrs. Marshall was the Queen. Her recipes are clear, accurate, and well illustrated. She was very industrious, owning and running a domestic staff agency business, selling domestic and cooking equipment, and running a successful school of cookery in Welbeck St, London. She campaigned vigorously for better standards of food hygiene. Agnes toured extensively, lecturing and demonstrating her techniques to huge audiences. She even took her lectures to the United States in the summer of 1888. Two years earlier in 1886 she had started a magazine called "The Table". Mrs. Marshall can be credited with the invention of the ice cream edible cone, mentioned in her 1888 cookery book, the recipe being "cornets with cream". This predates American claims to the invention in 1904. There are no known earlier references to the edible ice cream cone, which nowadays we all take for granted. Her books stimulated demand for imported Norwegian ice, which was supplied from the building that is now the London Canal Museum. An exhibition at Syon House (1998) and at London Canal Museum (1999) told the story of her amazing life. Marshall has been neglected by historians, and is not famous today, unlike Mrs. Beeton, whose work benefited from commercial promotion long after her death. In contrast Mrs. Marshall's family did not make a long-term success of her business. Sadly, Agnes Marshall’s life ended too early. She died at age of forty nine recovering from injuries sustained from a riding accident. Marshall’s newspaper, company, and school survived her well into the twentieth century and her influence and opinions endured even longer.

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Information

Antiquarian category
ref number: 11135

Skuse.   E.     - Fantastic original condition; as new.
Practical Confectioner.
[10th Edition.] Copy-Right.] [Price 7/6, Postage 4d. SKUSE’S COMPLETE CONFECTIONER A PRACTICAL GUIDE TO THE ART OF SUGAR BOILING IN ALL ITS BRANCHES THE MANUFACTURE OF FONDANTS, CREAMS, CHOCOLATES, PASTILLES, JUJUBES (GELATINE AND GUM), COMFITS, LOZENGES, (PLAIN AND MEDICATED), CARAMELS, NOVEAUS, NOUGATS, JAP NUGGETS,PRALINES, &c., ICE CERAMS AND ICES OF EVERY DESCRIPTION, JAMS, JELLIES AND MARMALDES (BY FIRE AND STEAM) CONCENTRATED TABLE AND JELLIES, PRESERVED AND CRYSTALISED FRUITS, CANDIED PEEL., &C. ENGLISH AND SCOTCH PASTRY. (single line) All Information Respecting Colours and Flavours: the best to use and how to use them. (single line) USEFUL NOTES ON MACHINERY FOR EVERY PURPOSE. (single line) PUBLISHED BY W.J. BUSH & CO., LTD,. ASH GROVE, HACKNEY, LONDON.
220 x 149 mm. Front inside pastedown with Advertisements. Title page. Verso with Advertisements. 1p Preface. 7p well illustrated Advertisements. 1-213. (1)215-222 Index. Plain back pastedown. The text highlighted by many nice illustrations and all recipes and chapters with large bold heading. Original dark brown cloth cover with black blind tooling in the art nouveau style. In immaculate condition. Circa 1900.
- This book is very interesting to the student or collector of all aspects of the special skills of the Patissier, Boulangier, Chocolatier, Sugarworker and Sweet-makers etc. A glance at the title page is a glimpse of the full Victorian sweets repertoire. Then the industrial revolution happened and took the sweets of the home-cook into the factories. Mass production methods revolutionised sweet-making from the 1860s onwards. Specialised machines were the key to the new confectionery industry in Britain and America, and new technology remains a central concern of the modern confectionery business. Chocolate enrobing machines, almond blanchers, coconut graters, lollipop makers -- there was a specially designed machine for every one of the finicky jobs involved in sweet-making, and manuals such as Skuse's Complete Confectioner showcased the latest contraptions, such as the caramel machines. Commercial sweet-making is still veiled in secrecy, because individual machines are often customised to create that special new sweet. Unfortunately the end result of all the endeavour is the modern packed sweet-shops, obese children, rampant diabetes and a steep decline in home baking. Never the less, this is a fascinating book, not only for the recipes, the good illustrations, but the advertisements that show the sweet-makers equipment. This book gives a feeling of feverish industrial activity. An important item for any serious cookbook collection. Originally published London, 1890. The BL only records an 11th ed of 1911. Bitting an 11th as well. Cagle has a 10th and states no other recorded. Rare.

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Information

Antiquarian category
ref number: 11233

Kollist.   E. J.    
French Pastry, Confectionery and Sweets: Continental Dishes
FRENCH PASTRY, CONFECTIONARY AND SWEETS CONTINENTAL DISHES BY E.J. KOLLIST Chef Patissier WITH SEVENTY-SIX HALF-TONE ILLUSTRATIONS (a printer's device) CASSELL & COMPANY LTD. LONDON, TORONTO, MELBOURNE & SYDNEY
FIRST EDITION 1929. 255X165mm. 1fep. Half title. [2] Frontispiece of two Royal Icing Stands. Title Page. Verso with publishing date. v Preface. [1] vii-viii Introduction. ix Guide to Sections. [1] xi-xxvi Contents. xxvii-xxviii list of Illustrations. Section half title. [1] 3-268. 1fep. Original light brown cloth boards with 1/4 red cloth spine with gilt lettering. Externally and internally very clean with light foxing on the blank on back of the frontis. A fine copy not usually found in this condition.
- Based on Kollist's twenty nine years of extensive experience as Chief Patissier and Confectioner at Claridge's and the Savoy hotels in London as well as Confectioner on the Cunard ships Mauretania, Lusitania and Laconia. His book is not confined just to pastry. In total it includes fifteen sections of all the areas of the Patissier’s trade; Paste and Dough, Pastries, Flans and Gateaux, Petit-fours, Confectionery; sugar baskets, spun sugar, toffee, nougats, chocolates etc; English Puddings, Sauces, Souffles, Ices , Sorbets and Bombes, Fruit Dishes, Russian Specialities such as tvoroque, coulibiac and piroshki as well as several plates of decorative ice carving and including seventy five half tone illustrations in-text. This is a book from a professional chef aimed largely at other professionals. A fairly common book, but never the less an important item in any good and representative collection of antiquarian and modern pastry and confectionery books.

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Information

Modern category
ref number: 11033

Acton.   Eliza     - One of the best written English cookery books.
Modern Cookery
In all its branches; Reduced to a system of easy practice, For the use of private families. In a series of receipts which have been strictly tested, and are given with the most minute exactness. By Eliza Acton. Illustrated with engravings on Steel and numerous Woodcuts. Fourteenth Edition to which are added directions for carving. London: Longman, Brown, Green, and Longmans, Paternoster Row. 1853.
8vo. Half Title. Frontispiece. Title Page. Dedication Page. [1] p1. Preface. [viii - xlviii] 8 plates. (plate 1 is the frontispiece) [1] 2-608 plus 18 pages of advertisements. Half tan calf, green cloth boards with tan calf corners and gilt lines. Spine with raised bands and gilt lines, 2 black labels with gilt lettering. Some even browning and a some foxing through-out, overall an OK copy.
- Elizabeth 'Eliza' Acton, an English poet and cook, produced and aimed this cookbook at the domestic reader rather than the professional cook or chef. In it she introduced the now-universal practice of listing the ingredients and suggested cooking times with each recipe. Isabella Beeton's bestselling 'Book of Household Management' of 1861 was closely modeled on it. Elizabeth David rated it one of the best nineteenth century cookery books, and television cook Delia Smith is quoted as having called Acton "the best writer of recipes in the English language". 'Modern Cookery' long survived her, remaining in print until 1914 and available more recently in facsimile reprint. Acton was born April 17th 1799 in Battle, Sussex, the eldest of the five children of Elizabeth Mercer and John Acton, a brewer. The family moved to Suffolk shortly after her birth, and there she was raised. At the age of seventeen she and another woman opened a school for girls in Claydon, near Ipswich, which remained open for four years. Her health was precarious and she spent some time in France where she is rumoured to have had an unhappy love affair. She published her Poems in 1826 after returning home and they enjoyed some small success. She subsequently published some single, longer poems, but it was her 'Modern Cookery' of 1845 that garnered her the widest acclaim. Shortly after its publication she relocated to London, where she worked on her next and final book, 'The English Bread Book' of 1857. Along with recipes and a scholarly history of bread-making, this volume contained Acton's strong opinions about adulterated and processed food. Acton, her health never strong, died in February 13th, 1859, and was buried in Hampstead, North London.

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Information

Antiquarian category
ref number: 10911

David.   Elizabeth     - A rare E.D. Booklet.
THE USE OF WINE IN ITALIAN COOKING.
Drawn by J. Strickland-Goodall, R.I.). Author of Mediterranean Food (1950). French Country Cookery (1950). (JOHN LEHMANN).
170 x 130mm. On verso of Cover - 1p. Contents. (1) Index to Wines and Recipes. 1-19. [1]. Back page the publisher's vignette by Saccone & Speed Ltd. Front cover - delicate fine illustration of an Italian country scene. Dark cream coloured thick paper. Fine condition. Housed in a slip inside a handsome folder with marbled paper and label.
- Elizabeth David's written output was phenomenal. She published many items besides her cookery books. Including also the new stock catalogues for her shop that she did on a regular basis, many booklets (see item #11180 on this site), similar to this one about Italian wine. There is her inspired ring bound 'Cooking with Le Creuset' and her many articles published in magazines. Waking people up in the 50's and 60's to the wonderful cuisines and produce of Italy, the Mediterranean and France, she wowed people with her captivating writing style. Besides being books about cookery they were also eye-opening travelogues. Due to the dull foodstuffs available in Britain after the war, her writing was singularly, one of the most dynamic reasons people, cooks and chefs started demanding better produce be made available from those countries she wrote about. Elizabeth David was a writer who inspired deep devotion and affection. Many well known self-taught chefs and cooks started by first finding and reading her books and being inspired. Her writing should be part of the curriculum of all catering colleges for aspiring new young chefs .

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Information

Modern category
ref number: 11014

Liebig Company's.       - A beautiful copy of a scarce booklet.
Practical Cookery Book.
A collection of new and useful recipes in every branch of cookery. Compiled by Mrs H.M. Young. LONDON Leibig's Extract of Meat Company, Limited. 9 FENCHURCH AVENUE, E.C. 1893 (All rights reserved). PRINTED IN GERMANY.
FIRST EDITION. 172 X 113MM. 2p Highly decorated inside front cover and Title page. Verso has an intriguing etching of the Liebig Factory, Frey Bentos, Uruguay. 1-111 Index. iv Advertisement page. v-vii Introduction. viii Preface. 1p Recipes. [1] 1-104. Highly decorated inside back cover. Beautifully decorated and colourful boards sometime expertly relaid. Spine is relaid crimson cloth. Inside very clean with slight foxing on the title page. The guttering has been strenghtened with a light foxing not affecting the text. Overall a very good complete copy of a very scarce company booklet that is rarely found in such good condition.
- The Liebig Extract of Meat Company (Lemco) was the originator of Liebig and Oxo meat extracts and later, Oxo beef stock cubes. Baron Justin von Liebig invented a way to preserve the flavour of meat in the form of an extract. In the 1860's the Baron, known as a very active organic chemist was invited to be a shareholder in a Uruguayan firm to produce a meat extract and transport the liquid in tons to Europe. (with no debris of skin, bones nor meat) The promising lucrative plan appealed to the Baron so the company was established in December 4th 1865 in London. The factory was based at Fray Bentos at Villa Independencia, on the river Uruguay, where fresh air and an unlimited supply of water were an indispensable necessity for the slaughter of 1,500 four year old oxen daily during the seven months of the slaughter season. The company employed about 1000 hands, and with wives and children supported a community of around 3000.

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Information

Antiquarian category
ref number: 11063

Hamp   Pierre     - He worked under Escoffier at the Savoy.
Kitchen Prelude
(Mes Metiers) by PIERRE HAMP Translated from the French by DOROTHY BOLTON (With a printers device) NEW YORK E.P. DUTTON & CO., INC.
FIRST ENGLISH EDITION 1933. 8vo. 193x140mm. 1fep. Half Title. [1] Title page. [1] 1-309. [1] 3feps. Original orange cloth binding with brown writing on the spine. The spine slightly sun bleached. Overall a very nice clean copy of a very scarce book. Not known if it should have a dj.
- Pierre Hamp has written a very interesting book of his life learning to be a Patissier and a main kitchen chef. He started his apprenticeship on Friday 13th November 1891 at M. Arthur Laborde's Patisserie at 13 Rue Demours in the Quartier des Ternes. At the bottom of the pecking order of thirteen apprentices and five cooks, he goes on to describe a very hard life (normal for the time) learning his trade. After his apprenticeship in Paris he moved to London and worked for some time under Escoffier at the Savoy. The blistering pace and hours as an apprentice gave him a highly critical professional sense that comes across in his writing. He also gives unique insights into the characters and personalities of a big Kitchen brigade that are not so different from those of today. Although Hamp is quite critical of Escoffier, one gets a unique sense of the chefs as people he had under his charge. A good read about a bygone age. Chefs reading this will see that many things remain the same, especially the sense of professionalism and pride of good well trained craftsmen.

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Information

Modern category
ref number: 11075

Brillat-Savarin.   Jean Anthelme     - A scarce translation of ‘Physiologie du Gout’
Gastronomy as a Fine Art
OR The Science of Good Living A TRANSLATION OF THE “PHYSIOLOGIE DU GOUT” OF BRILLAT SAVARIN BY R.E. ANDERSON, M.A. (A printers device) A NEW EDITION London CHATTO & WINDUS, PICADILLY 1889.
12mo. 2feps. Half title. [1] Title page. [1] (1)vi Contents. (1)viii-xv Aesthetics of the Dining-Table. [1] (1)xx-xxiv Dialogue. (1)xxvi-xxxiii Preface. [1] xxxvi-xxxviii Fundamental Truths. (1)2 – 280. (1)2-32 Advertisements. 1fep. Original quarter wine red cloth with marbled boards, rubbed on the corners and a half inch square of marbled paper missing on the front. Spine with gilt writings. A 1” black ink stain on the outer edge. Internally very clean with untrimmed edges. Overall a fairly nice copy of a quite scarce edition.
- Jean Anthelme Brillat-Savarin born 1st April 1755, at Belley, Ain and expired on 2nd February, 1826 in Paris. He was a French lawyer and politician, and gained fame as an epicure and gastronome: With ‘Grimod’ the two writers effectively founded the whole genre of the gastronomic essay. Brillat-Savarin’s celebrated book ‘Physiologie du goût’ was first translated into English, titled ‘A Handbook of Gastronomy’ and first published in December 1825, two months before his death. The full title is "Physiologie du Goût, ou Méditations de Gastronomie Transcendante; ouvrage théorique, historique et à l'ordre du jour, dédié aux Gastronomes parisiens, par un Professeur, membre de plusieurs sociétés littéraires et savantes". It is less a treatise on cuisine than a witty compendium of anecdotes and observations intended to enhance the pleasures of the table; only the occasional recipe is included. Also known for his famous aphorisms, some of which are recalled below: • “Those persons who suffer from indigestion, or who become drunk, are utterly ignorant of the true principles of eating and drinking.” • "Tell me what you eat, and I will tell you who you are." • "To receive guests is to take charge of their happiness during the entire time they are under your roof”. • "The discovery of a new dish confers more happiness on humanity, than the discovery of a new star”.

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Antiquarian category
ref number: 11132

Marshall   Agnes Bertha     - with the four coloured plates.
THE BOOK OF ICES
INCLUDING CREAM AND WATER ICES, SORBETS, MOUSSES, ICED SOUFFLES, AND VARIOUS ICED DISHES, WITH NAMES IN FRENCH AND ENGLISH, AND VARIOUS COLOURED DESIGNS FOR ICES. BY A.B. MARSHALL. (Copyright.) REVISED AND ENLARGED EDITION. London: MARSHALL’S SCHOOL OF COOKERY, 32, MORTIMER STREET. SIMPKIN, MARSHALL, HAMILTON, KENT & CO., LIMITED, 4, STATIONERS’-HALL, COURT. [Price Half-a-Crown net.]
180 x 120mm. n/d. Front paste-down and end-paper with lovely advertisements. Half-title. On verso advertisement for all Marshall’s books. [1] Frontispiece – one of the four coloured plates. Title page with tissue guard. [1] (1)vi-vii Contents. [1] (1)2-52. (1)54-76 Advertisements featuring wonderful illustrated drawings of Marshall’s ice-moulds, ice-pots and machines. (1)78-79 Index. On verso advertisement for all Marshall’s dry goods. [1] End-paper and paste-down with lovely advertisements. Original bright blue cloth cover with blind tolled lines and bright gilt writing. Internally very clean with the four coloured plates with tissue guards. A lovely copy of this very scarce much sought after thin volume. Earlier copies were published without the plates and had limited advertisements.
- In Ivan Day's extremely interesting web-site "Historic Food" there is an article about the history of ice-moulds. It states "The tradition of making novelty ices in the form of vegetables, fruits and other food items seems to have started in late seventeenth Naples, where moulded sorbetti were known as pezzi duri (hard pieces). A pewter mould for making asparagus ices is illustrated in Gillier's 'Canammeliste Francaise' - Nancy: 1750. By the 1860s these moulds were to be found at ‘most ironmonger's', so bunches of ice cream or water ice asparagus (see image #6 below) seem to have become popular by this time with Victorian diners. They were frequently illustrated in nineteenth and early twentieth century cookery texts, such as this work by Marshall, also Theodore Garrett and John Kirkland. American mould manufacturers were still making asparagus moulds in the 1950s, though by this time, they had become much stouter in order to facilitate easy demoulding. The earlier, narrow moulds are not easy to use, as the asparagus ices are difficult to turn out without breaking. They should be dipped into cold water for about twelve seconds and the ices rolled out onto a clean table napkin with the finger tips, rather than the point of a knife, which is usual with most other ice-moulds".--- If you go hunting thro' the stalls on Portobello Road, London, on a Saturday morning you will still be able to find those Victorian pewter or copper ice-cream moulds. The good ones can now cost hundreds of pounds. They are much sought after by serious collectors.

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Information

Antiquarian category
ref number: 11146

Glasse   Mrs [Hannah]    
THE COMPLETE ART OF COOKERY,
EXHIBITED IN A PLAIN AND EASY MANNER; WITH DIRECTIONS FOR MARKETING; THE SEASONS FOR MEAT, POULTRY, FISH, GAME, ETC. AND NUMEROUS USEFUL FAMILY RECEIPTS. BY MRS GLASSE. LONDON: PUBLISHED BY J. S. PRATT. MDCCCXLV.
130x76mm (5" X 3") 2feps. – 1 is an ex-libris sheet with no name. [1]Frontispiece with a double line border. Title page. [1] (1)6-24. Contents (1)26-320. 1fep. With numerous in-text engravings. New blue cloth binding with gilt lettering on the spine. Internally very clean with the pages very slightly aged. A handsome copy of this late copy of Hannah Glasse's great classic. Almost classifies as a miniature. 32 pages less text than the first edition of 1842.
- A nice copy of this desirable late edition of Hannah Glasse’s famous classic first seen in 1747.

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Information

Antiquarian category
ref number: 11188