Soyer.   Alexis Benoit     - A very rare signed first edition.
The Gastronomic Regenerator.
A SIMPLIFIED AND ENTIRELY NEW SYSTEM OF COOKERY, WITH NEARLY TWO THOUSAND PRACTICAL RECEIPTS SUITED TO THE INCOME OF ALL CLASSES. ILLUSTRATED WITH NUMEROUS ENGRAVINGS AND CORRECT AND MINUTE PLANS HOW KITCHENS OF EVERY SIZE, FORM THE KITCHEN OF A ROYAL PALACE TO THAT OF THE HUMBLE COTTAGE, ARE TO EB CONSTRUCTED AND FURNISHED. BY MONSIEUR A. SOYER, OF THE REFORM CLUB. LONDON: SIMPKIN, MARSHALL, & CO., STATIONERS' HALL COURT: AND SOLD BY JOHN OLLIVIER, PALL-MALL. 1846.
FIRST EDITION. 233x153x64mm. Front paste-down with the bookplate of Bannerman of Elsick – Crimonmogate (one of the oldest Scottish families from Buchan). 1 new fep . Signed on the original yellow end-paper, laid down and bound in: 'To Mrs S.G. Harding with the Auteur Compliments A. Soyer'. [1] Verso frontispiece portrait of the author drawn by his wife Emma Soyer and engraved in steel by H.B. Hall. Title page. [1] 1p Dedication to the Duke of Cambridge. [1] 1p Engraved plate. [1]2p List of Patrons. (1)viii Preface. (1)x-xii Description of the work. (1)xiv-xx Soyer’s new mode of carving. xxi-xxiv How everything should be in cooking. 1-720.3 [1] (1)2-18 Table of contents. (1)2-6 Madame Soyer including a self-portrait of Emma Soyer engraved in steel by H.B.Steel. In total there are 16 wood engraved plates. Also included, the Kitchen of the Reform Club, a table of a wealthy family, Soyer’s table at home. Folded plates of ‘Young Bavarians’ by Emma Soyer, a dinner for His Highness Ibrahim Pacha on blue paper and an engraving of the Reform Club's new kitchens. Fully bound in the original rose coloured cloth with fine blind tooling back and front. The spine has been very sympathetically re-laid. Gilt lettering on the front board and spine. There is a small 1” long ink stain. The frontis of Soyer and Emma Soyer plates are slightly foxed. Otherwise internally very clean. Overall a very good copy in the original state and with the rare signature.
- In an online article Michael Garval, North Carolina State University writes perceptively of Alexis Soyer: --- Perhaps the most extraordinary thing about the extraordinary Alexis Soyer is that, while he too fashioned himself a man of letters, he would also transcend the constraints of this literary model and, far ahead of his time, prefigure the flamboyant personas of today's celebrity chefs. Soyer was born in France and raised there, first in Meaux-en-Brie, then in Paris. During the Revolution of 1830, he was working in the kitchen at the Foreign Office, it was attacked by angry insurgents. He ended up singing for his life: The cooks were driven from the palace, and in the flight two of Soyer's confrères were shot before his eyes, and he himself only escaped through his presence of mind, in beginning to sing 'la Marseillaise' et 'la Parisienne;' when he was in consequence carried off amid the cheers of the mob. (The memoirs of Volant and Warren - Soyer’s secretaries.) Soyer soon fled to England, where he would make his reputation, notably as Chef de Cuisine of London's prestigious Reform Club from 1837 to 1850. But his close call during the July Revolution remains an oddly revealing point of departure for his later, successful career. Casting him in the suggestive role of the faux-revolutionary, it already offers a glimpse at his general propensity for theatrics; his talent for rallying the public, and for making the most of unlikely opportunities; as well as his ambivalent class status and loyalty. A modestly-born opportunist, slaving away in service to the upper crust, and belting out Rouget de Lisle's or Casimir Delavigne's rabble-rousing lyrics at gunpoint, he appears at once a man of the people and lackey of the elite. Soyer was, in so many ways, a study in contradictions, "who drew the breath of his being from the French Romantics and who won the respect of Victorian England for his practical resourcefulness and powers of administration" (Helen Morris). He served refined food to the rich and powerful, and strained to ingratiate himself to them as well. But, amid the social and intellectual ferment over the problem of poverty, in the years surrounding the Revolution of 1848, he also put his skills to more humanitarian and egalitarian use. He toiled to feed Ireland's poor in the 1840s, or starving British soldiers in the Crimea a decade later, and published invaluable information to help the needy better feed themselves: first in a booklet, ‘The Poor Man's Regenerator’ (1847), from each copy of which he gave a penny to the poor; then more extensively in his ‘Shilling Cookery for the People’ (1854). A versatile, compassionate, and inventive cook, he was a prolific inventor as well—of bottled sauces and drinks, culinary gadgetry of all sorts, numerous innovations in the Reform Club's celebrated new kitchens, and many other things, including an excellent field stove, a variant of which, still called the Soyer stove, was used by the British army through the first Gulf War. Soyer was known for his exuberance, and eccentric style. A wit, prankster, raconteur, fine singer—and not just of revolutionary ballads—his first ambition was to be a comic actor, and for much of his life he frequented theatres and theatrical performers. A dapper Frenchman among drabber Victorians, he dressed as a Romantic dandy, in a style no longer the height of fashion at the height of his career in the 1840s and 50s—and did so even in the kitchen, eschewing the conventional chef's uniform. Beyond their rich embroidery, lavish silks, and extravagant colors, Soyer's clothes were characterized by their insistent cut on a bias, "à la zoug-zoug" in his own coinage, an idiosyncratic rendering of "zig-zag," the English phrase itself taking on the gallic flair of its inventor. Indeed, this predilection for diagonal lines was not limited to clothing designed and worn ‘studiously awry’, but rather part of a broader pattern. As biographer Helen Morris notes -- “Soyer's desire to be noticed, to be admired, above all to be extraordinary, grew ever more dominant. He tried not only to cook differently from everyone else, but to dress and talk and walk differently too. . . . he would not wear a single garment with either horizontal or perpendicular lines. His hats were specially built so that when clapped on at any angle they slanted in a coquettish way—in his own phrase, à la zoug-zoug. His coats had to be cut on the cross . . . . His visiting card . . . was not a rectangle but a parallelogram; so was his cigar-case, and even the handle of his cane slanted obliquely”. To this list could be added many things: advertisements for Soyer's products, like these for his Sultana's Sauce, one with the central bottle tilted diagonally through the copy, the other with the copy inside a parallelogrammic field recalling the shape of his carte de visite; a whimsical dish created in honor of the ballerina Fanny Cerrito with whispy diagonals spiraling round a conical base, surmounted by a dancing figurine on pointe atop a thunderbolt-like stand composed of alternating angles; "a zig-zag passage," which Morris calls a "true Soyer touch" leading into the model soup kitchen that Soyer designed in Dublin; his fanciful menu for a "Grand Supper Lucullusien "a'la Zoug-Zoug" (Volant and Warren); and, as we shall see, numerous diagonal elements in the portraits of Soyer that accompany his published work. As such varied examples suggest, à la zoug-zoug might best be understood as the central trope in Soyer's creative imagination, and in his dandified public persona, emblematic of his drive to distinguish himself —both to achieve distinction, and to do so by being different. • Soyer's position as chef of the Reform Club secured him some prominence but, in itself, does not explain the magnitude of his fame. His constant letters to various London papers, particularly the Times—touting his own accomplishments, promoting his latest schemes, weighing in on the questions of the day—helped keep him in the public eye. So too did the extensive marketing of his products, notably "Soyer's Sauce" as well as his several successful books on food and cookery. Combined with his flamboyant personal style, these forms of exposure made Soyer a favorite target of popular satire which, for better or worse, only increased his renown. He figured more often in the pages of Punch than many a Cabinet Minister.

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Antiquarian category
ref number: 11155

Soyer.   Aleis Benoit     - Signed by Soyer.
The Modern Housewife
OR MENAGERE. COMPRISING NEARLY ONE THOUSAND RECEIPTS FOR THE ECONOMIC AND JUDICIOUS PREPARATION OF EVERY MEAL OF THE DAY, AND THOSE FOR THE NURESERY AND SICK ROOM; WITH MINUTE DIRECTIONS FOR FAMILY MANAGEMENT IN ALL ITS BRANCHES. Illustrated with Engravings, INCLUDING THE MODERN HOUSEWIFE’S UNIQIUE KITCHEN, AND MAGIC STOVE. BY ALEXIS SOYER, AUTHOR OF “THE GASTRONOMIC REGNERATOR,” (REFORM CLUB.) EIGHTEENTH THOUSAND. LONDON; SIMPKIN, MARSHALL., & CO., STATIONERS’ HALL COURT; OLLIVIER, PALL MALL. 1850.
8vo. 1 modern fep. 2nd yellow coloured fep with Soyer’s signature. [1] Frontispiece, with a very light water-stain not affecting anything. Title page. The 3 pages have a small burn on the outer edge. ½” long 1/8” does deep not affect the text. Verso has a small introduction. A one page illustration of “The fair daughter of Albion”. [1] (1)iv-vi to Eloise. (1)vii Contents. (1)x-FBI Introduction. (1)2-427. [1] (1)430-445 Index. [1] )1_448-456 Press opinions. 2p Advertisements. 1 fep. A handsome full modern black calf binding with blind tooling on the boards. The spine with raised bands, blind tooling on bands and compartments. Apart from the very small burn mark on the first few pages this is a very clean desirable copy with the dedication signed in Soyer's shaky hand stating, "Presented by the author to his friend J.H. Nightingale - A. Soyer".
- I have researched the family background of his famous nurse and compatriot from the hospitals at Scutari - Florence Nightingale. I could not find anyone with the same name nor initials Soyer dedicated this book to - Intriguing!. This copy was published approx. one year after the first edition of 1849. Although Soyer was an extreme extrovert with an unrivalled penchant for self-publicity, signed copies of his numerous published cookery books seem to be quite scarce. The complexity of Soyer’s character and personality are well recorded. His professional undertakings were staggering and surprisingly varied, from the re-design of the Reform Kitchens to his much heralded efforts in Ireland during the famine, the crucial re-organisation of the hospital kitchens during the Crimean war that un-questionably saved many lives, and his many inventions - one still current in the 1990’s. His famously flamboyant but financially disastrous restaurant at the Great Exhibition and his marriage to Emma Jones the Victorian artist elevated his already significant stature. Designing a mobile cooking carriage for the army at the time of his death at 48 years old, one is amazed so much was packed into such a relatively short space of time. Truly, a memorable character and a remarkable life that is still being written about today.

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Antiquarian category
ref number: 11167

Soyer.   Alexis Benoit     - The first edition in the original state.
The Modern Housewife
OR MENAGERE. COMPRISING NEARLY ONE THOUSAND RECEIPTS FOR THE ECONOMIC AND JUDICIOUS PREPARATION OF EVERY MEAL OF THE DAY, WITH THOSE OF THE NURSERY AND SICK ROOM, AND MINUTE DIRECTIONS FOR FAMILY MANAGEMENT IN ALL ITS BRANCHES. Illustrated With Engravings, INCLUDING THE MODERN HOUSEWIFE'S UNIQUE KITCHEN, AND MAGIC STOVE. BY ALEXIS SOYER, AUTHOR OF "THE GASTRONOMIC REGENERATOR," (REFORM CLUB). LONDON: SIMPKIN, MARSHALL, & CO., STATIONERS' HALL COURT; OLLIVIER, PALL MALL. 1849.
FIRST EDITION. 8vo. 1fep. Frontispiece of Soyer. Title Page. [1] 1p Dedication to 'The fair daughters of Albion'. [1] (1)iv Contents. (1)vi-xii Introduction. 1-410. Opp. p393 Engraved picture of Soyers Magic Stove. Opp.396 Soyers Modern Housewife's Kitchen Apparatus. (1)412-426 Index. 427-430 Addenda. [1] Illustration of Soyers Sauce. 6p Advertisements for Soyer's products. 1fep. The text block is tight. Uniformly very lightly age browned through out. The little page a little sge darkened and the frontis with a little light foxing. Original light brown cloth covers and spine with the ornate blind tooling. The tooling on the spine has a little gilt and the blind tooling not as distinct as the covers. Rare in this good original condition.
- The blind tooled covers are typically Soyer. That is to say the tooling is designed on the bias and in Soyer's own words - a'la zoug zoug. He had this obsession with everything he designed or touched. His famously flamboyant rich colourful clothes were all cut on the bias - a'la zoug zoug, even his large bonnets worn at a rakish angle on the side of his head. Nothing came close to the dress conventions of the day. Altogether an unmistakable sight. This also reflected another strong aspect of his personality. That of self promotion. He obsessively wrote letters to the papers of the day explaining and aggrandising his endeavors, and was a prolific letter writer, maintaining relationships with many important personages he came into contact with, and in some way or another making sure it was publicly recorded in print. Despite this aspects of his personality he was a very bighearted man with a penchant for designing many good and important pieces of kitchen equipment. He had a very creative drive that had a sound pragmatic basis. This larger than life man died young but left a huge legacy that is still being examined and written about today.

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Antiquarian category
ref number: 11206

Soyer.   Alexis Benoit     - In fine original condition.
Soyer's Culinary Campaign
BEING HISTORICAL REMINISCENCES OF THE LATE WAR. WITH THE PLAIN ART OF COOKERY FOR MILITARY AND CIVIL INSTITUTIONS, THE ARMY, NAVY, PUBLIC, ETC. ETC. By ALEXIS SOYER, AUTHOR OF "THE MODERN HOUSEWIFE" "SHILLING COOKERY FOR THE PEOPLE" ETC. LONDON: G.ROUTELEDGE & CO., FARRINGDON STREET. NEW YORK: 18, BEEKHAM STREET. 1857. {The right of translation is reserved.]
FIRST AND SOLE EDITION. 1857. 1fep a small tipped in inscribed letter to a mother from a soldier at the battle-front at Kadikoi. [1] Frontispiece of an aged Soyer. Title page with tissue guard. [1] 1pp Dedication to Lord Panmure. [1] 1pp Preface. On the verso of the preface is another tipped in note in the same script, relaying a story about Soyer. [1] 2pp Contents. An illustrated drawing of Soyer by H.G.Hine. [1] 1-593. [1] 1p Index to Addenda. 2pp Advertisements. 1fep. The frontispiece nice and clean. Overall very clean inside. Original blue cloth binding with bright gilt pictorial vignette on front cover and the original gilt device and text on the spine. Blind tooling also on both covers. A very interesting volume and a rare item in this condition.
- The story behind this book starts on 2 February 1855, when Soyer wrote to The Times offering to go to the Crimea at his own expense to advise on the cooking for the army there. He began by revising the diet sheets for the hospitals at Scutari and Constantinople. In two visits to Balaklava he, Florence Nightingale and the medical staff re-organised the provisioning of the hospitals; he also began to cook for the fourth division of the army. On 3 May 1857 he returned to London, and on 18 March 1858 he lectured at the United Service Institution on cooking for the army and navy. He also built a model kitchen at the Wellington Barracks, London. He died on 5 August 1858 at St. John's Wood, London and was buried on 11 August in Kensal Green cemetery. Soyer wrote many other cookery books including: Délassements Culinaires. (1845) The Gastronomic Regenerator (1846) Soyer's Charitable Cookery (1847) The Poorman's Regenerator (1848) The Modern Housewife of Menagere (1850) The Pantropheon; or, History of Food (1853) A Shilling Cookery Book for the People (1855) and lastly this volume, Soyer's Culinary Campaign (1857).

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Information

Antiquarian category
ref number: 11242

Soyer.   Alexis Benoit     Very scarce: Numerous unknown details
Memoirs of Soyer (by his late secretaries)
MEMOIRS OF ALEXIS SOYER; WITH Unpublished Receipts AND ODDS AND ENDS OF GASTRONOMY. COMPILED AND EDITED BY F. VOLANT & J.R. WARREN, HIS LATE SECTRETARIES. LONDON: W. KENT & CO., 51&52, PATERNOSTER ROW. MDCCCLIX.
FIRST AND SOLE EDITION. 1fep. Half-title with a slightly ragged top-edge. [1] Title page. [1] 1pp. Preface. [1] 2pp. Introduction. 8pp. Contents. 1-286. 287-303 Addenda. [2]. Because of the full re-bind the advertisements inside both the covers are absent. Rebound in blue cloth. The original blue, nicely decorated front cover, laid down, still keeping the illustrated portrait of Soyer. Rubbed. Internally nice and clean. A rare book.
- - Alexis Benoît Soyer (4 February 1810 – 5 August 1858) This book by his secretaries allows the researcher of Soyer to fill in or broaden details that are not readily available elsewhere. After his demise all of Soyer's private papers were burned by a creditor to whom Soyer owed money. All the pieces of Soyer related ephemera on this site came from third-party owners. This book was on its last legs and had to be fully rebound, saving only the outer front cover, albeit slightly rubbed. Still extremely scarce.

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Antiquarian category
ref number: 11297

STAVELY.   S.W.    
THE WHOLE NEW ART OF CONFECTIONARY,
SUGAR BOILING, Icing, Candying, Wines, Jelly Making, &c, &c, Which will be found Very beneficial to Ladies, Confectioners, Housekeepers, &c. particularly to such as have not a perfect knowledge of that art. (a small straight line) A NEW EDITION. (a small straight line) To which is now added several new and useful Receipts, Never before published. (a small straight line) By S.W. STAVELY, Nottingham, (a small straight line) PRICE ONE SHILLING. (a small straight line) In this edition several Pages of new Receipts are added, never before introduced in this Work. (a small straight line) Wilkins and Son, Printers, Derby. The whole text enclosed in a single thick line border.
n/d. Cover page with same text as the title Page. Verso advert for another receipt book by same printer. Title page. [1] (1)iv - vi Preface. (1)8 - 57. (1)59 - 60 Contents. Manyblank feps due to filling the binding. last six pages browned ans edges worn without loss. Quarter tan binding with gilt tooling and text on spine. Boards with marbled paper.
- A thin but quite comprehensive booklet on sweet-making. There are no references for Stavely nor his booklet on the bibliographies except an 1830 eleventh edition in Cagle.

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Antiquarian category
ref number: 11289

Stuart-Wortley.   A. J.    
The Grouse
NATURAL HISTORY BY THE REV. H. A. MACPHERSON SHOOTING BY A. J. STUART-WORTLEY COOKERY BY GEORGE SAINTSBURY WITH ILLUSTRATIONS BY A. J. STUART-WORTLEY AND A. THOBURN SECOND EDITION LONDON LONGMANS, GREEN, AND CO. AND NEW YORK: 15 EAST 16th STREET 1895 All rights reserved
12mo. Pp. Half Title. Frontispiece of 'Home Life' Title Page. (i-vi) 1pp 'Illustrations' (3-293) 2pp 'The Badminton Library' 24pp 'Longmans Classified Advertisements' Bound in red half calf with marble boards and calf corners. Blind tooled borders around boards. Spine with intricate gilt tooling and gilt lines. Also with green labels, gilt lettering and raised bands. Overall a very clean copy both inside and out.
- An interesting book to all lovers of finely cooked game; especially the king of game birds -- the Grouse.

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Antiquarian category
ref number: 10957

THACKER.   JOHN    
THE ART OF COOKERY
heretofore published, under the following Heads, viz. ( followed by 3 vertical lists divided by 2 sets of double lines) Roasting, Boiling, Frying, Broiling, Baking, Fricasees, Puddings, Custards, (double line) Cakes, Cheese-cakes, Tarts, Pyes, Soops, Made-Wines, Jellies, Carving, (double line) Pickling, Preserving, Pastry, Collering, Confectionary, Creams, Ragoos, Braising, &. &. ALSO, A BILL OF FARE For every Month in the Year. WITH AN Alphabetical INDEX to the Whole: BEING A BOOK highly necessary for all FAMILIES, having the GROUNDS of COOKERY fully display'd therein. (a single horizontal line) by JOHN THACKER, COOK to the Honourable and Reverend the Dean and Chapter in DURHAM. (a double horizontal line) NEWCASTLE UPON TYNE: Printed by I. Thompson and Company. (a small single horizontal line) MDCCLV111.
FIRST EDITION. 8vo. 204 x 130mm. 2fep. Title Page on recto, verso blank. 4p Preface. 7p Index. (1)2-322. 32p letterpress Bills of Fare. 1p Errata slip on 1st fep, 2nd fep. Many in-text illustrations. Text block very lightly age-browned, Title page with water staining not affecting text, overall good condition. Full dark brown contemporary calf. Spine and front cover split but holding. Top and bottom of spine missing small pieces. Overall a very rare first edition. Bitting p458. Cagle p1019. MacLean pp140-141. Oxford p88. Provenance: 'Anne Williamson'. Later ink sig. to head of title. Mary Chadsey bookplate on front paste-down.
- An exhibition in Durham Cathedral’s multi award-winning museum experience, named 'Open Treasure', examines the role that food and drink played in the life of the cathedral and its inhabitants through the centuries. Focused on the famous Great Kitchen, the exhibition explores everything from medieval monastic rules on fasting to the kitchen’s present-day role as home of the treasures of St Cuthbert as part of 'Open Treasure'. Designed by architect John Lewyn, and built to provide daily meals for a community of 60 monks and their guests, construction of a large kitchen began in 1366 at the substantial cost of £180 17s 7d (more than £120,000 in today’s money). Featuring an innovative vaulted ceiling, the Prior’s Kitchen (now known as the Great Kitchen) provided the monks with an array of dishes prepared according to the 6th century ‘Rule of St Benedict’. Stating that meals should consist of “two kinds of cooked food”, the rule called upon monks to abstain from eating meat unless they were ill, and encouraged abstinence from drink despite allowing “half a bottle of wine a day” as sufficient for each monk. Although a large staff manned the kitchen on a daily basis, including dedicated ‘seethers’ to boil food, a ‘turnbroach’ to work the spit, and a ‘pastillator’ to prepare pastry, visiting royalty and noblemen would also bring their own cooks with them to prepare the immense feasts the cathedral was known for. Over the years the kitchen would play host to the cooks of the Earls of Northumberland, Warwick and Westmorland, the Duke of Exeter, the Archbishop of York and the Duke of Gloucester, later King Richard III. Catering both everyday meals and lavish banquets, the bustling kitchen saw a tremendous variety of dishes being prepared, with Cathedral records showing over 1000 suppliers providing an array of foodstuffs including sugar, ginger, saffron, currants, almonds, plums and grapes. Excavations of the kitchen in 2011 also revealed evidence of cattle, sheep, pig, goose and chicken bones; along with 21 different species of fish; oyster, cockle and mussel shells; as well as some more unusual examples including a frog and even a porpoise! Recipes for dishes served at the Cathedral over the centuries can be found in ‘The Art of Cookery’ written by John Thacker, who was cook to the Dean and Chapter between 1739 and 1758. To supplement his £10 annual income, he opened a cookery school in 1742 and began publishing recipes as a monthly magazine in 1746, with a complete book following in 1758. Containing over 650 recipes and drawings on how to present the dishes, Thacker’s cookbook includes many recipes you could easily recreate at home, including beef steak pie, chocolate cream, almond cakes, and ‘Queen’s Biscuits’. The Great Kitchen continued to function as a working kitchen up until the 1940s when practicality saw the preparation of food moved closer to the Deanery. Used to house the cathedral archive between 1951 and 1992, the kitchen was converted into the cathedral’s bookshop in 1997.

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Antiquarian category
ref number: 11122

Tillinghast & M.H.   Mary     - Two books bound in one
THE YOUNG COOKS Monitor;
OR DIRECTIONS FOR Cookery and Distilling, BEING A Choice Compendium of Excellent Receipts. Made Publick for the Use and Benifit of my Scholars. The THIRD EDITION with Large ADDITIONS. By M.H. LONDON: Printed for the Author, at her House in Limestreet. 1705. --- BOUND WITH: Rare and Excellent RECEIPTS. Experienc'd, and Taught By Mrs Mary Tillinghast. And now Printed for the Use of her Scholars only. LONDON, Printed in the Year, 1690.
12mo. 2fep. Title page. 2pp. Epistle preface, signed M.H. (9-180) 2nd Title page. (1-30) 2fep. Nicely bound in contemporary full mottled tan calf with gilt lines and fillet on boards. Spine with raised bands, gilt lines, red label with gilt lettering. Clean internally with very light ageing and minor worming to some pages without loss of text. A very rare item.
- The first edition of the 'Young Cook's Monitor' was printed 1683. Oxford states that the 2nd edition of 1690 has an appendix. This third edition of 1705 also has an appendix. The second book; Tillinghast's 'Rare and Excellent Receipts' was first printed in 1678. This copy is the second of 1690. In Oxford's 'Notes from a Collector's Catalogue' he writes on page 87, that both his and the BM's copies of Tillinghast's book are also bound with the 'Young Cook's Monitor' There is also a surprising similarity between these 2 books bound in one volume, and the anonymous work, 'The True Way'. (item, #10962 on this site under 'Anon') The three books and receipts are remarkably similar with the three Title pages all proclaiming they are 'Made Publick for the Use and Benefit of my Scholars.' The Epistle Directories of both books have the same similar statement addressed to her Scholars. (There is no Epistle Directory in Tillinghast's book). The 'True Way' does not have any indication of authorship, while the 'Cook's Monitor' has M.H. after the preface. This compiler suggests that Mary Tillinghast is the maiden name of the M.H. of the 'Young Cooks Monitor'. I suggest that sometime after writing/publishing her 'Excellent Receipts' in 1678, Mary Tillinghast married and assumed her married initials of M.H. while keeping the authorship of 'The True Way' anonymous. At this point in time there is no way to prove this theory, but the startling similarities between the three works (bound in two volumes) are too evident to ignore. Further reference can be found in the 'The Recipes Project' online that informs: The British Library copies of the Tillinghast and second edition of the Young Cooks Monitor were bound together, sometime during the 19th century: BL shelf-marks C.189.aa.10 (1) and (2).

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Antiquarian category
ref number: 10960

Tissot.   DR.     - First English edition 1776.
ADVICE TO PEOPLE IN GENERAL.
WITH Respect to their Health: Translated form the French Edition of Dr. Tissot's 'Avis au People'. &c. Printed at Lyons; with all his Notes; also a few of his medical Editor's at Lyons; and several occa-sional Notes adapted to this English Translation, By a PHYSICIAN. WITH A Table of the most cheap, yet effectual Reme-dies, and the plainest Directions for preparing them readily. (enclosed in 3 long thin lines) IN TWO VOLUMES.- In the Multitude of the People is the Honour of a King; and for the Want of People cometh the Destruction of the Prince. Prov. xiv.28. - VOL.1. (a long double-thick line) EDINBURGH: Printed by A. Donaldson, and sold at his shops in London and Edinburgh. (a short double-thick line) MDCCLXV1. VOLUME 11. Same Title page.
2 x 12mo. 172 x 110 mm. VOL.1 - 2 feps. Title page. [1] (1) - vi Authors Dedication. Lausanne, Dec.3. 1762. (1)viii - x The Contents. (1)xii - xxi Preface. [1] (1)2 - 27 Introduction. [1] (1)29 - 271. Verso Publishers adverts. 2 feps. - VOL.11. 2 feps. Title page. [1] (1) - vi The Contents. (1)2 - 318. 2 feps. Both volumes in full brown calf with nice patina. Gilt tooling in three compartments. Text blocks with good thick paper. A little light edge staining on both title pages with no loss. Overall fine condition.
- Dr Tissot originally had his books published at Zurich in German by Messrs: Heidegger. Then thereafter a second French edition in Paris, followed by a third at Rotterdam. Sometime later an Italian edition was published. It must have been a popular work. The list of contents appears to cover all types of ailments, both male and female. An interesting read, but definitely of its time.

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Antiquarian category
ref number: 11287