Murrell.   John     - Extremely rare early edition.
Mvrrels Tvvo Books of Cookerie and Carving.
1st TITLE PAGE: (a straight line) The fifth time printed with Additions. (a straight line) LONDON, Printed by M.F. for John Mar-riot, and are to be sold at his Shop in Saint Dunstans Church-yard in Fleet-street. 1638. The text surrounding by a double line border. 2nd TITLE PAGE: THE SECOND BOOKE OF COOKERIE. (a straight line) VVherein is set forth the newest and most commendable Fashion of Dressing, Boyling, Sowcing, or Roast-ing, all manner either Fleash, Fish, or any kinde of Fowle. (a straight line) Together with an exact order of ma-king Kickshawes, or made-dishes, of any fashion, fit to beautifie either Noble-mans or Gentle-mans Table. (a straight line) All set forth according to the new English or French fashion. BY JOHN MURRELL. (a straight line) The fifth Impression. (a straight line) LONDON, Printed for John Marriot, and are to be sold at his Shop in Saint Dun-stans Church-yard. 1638. THE THIRD TITLE PAGE: A NEVV BOOKE OF CARVING AND SEVVING. (a straight line) A small printers device. (a straight line) LONDON. Printed by M.F. for John Marriot, and are to be sold at his Shop in Saint Dunstans Churchyard in Fleetstreet. 1638.
8vo. 1 fep with ink inscription –“Mary Freeman her Book 1715” on front free end-paper, the same, but dated “1733” on verso. 3 Title pages. First title within double rule border. [1] 2nd x 1st title page [1]. 2 pages The Epistle Dedicatorie. 1-82. 2nd Title Page [1]. 85-148. 3rd Title Page [1]. 151-188. 13 pages of Tables [1]. 1 fep. Text in black letter script with woodcuts and typographical head-pieces and ornaments in-text. Front and back covers with no paste-downs. Showing original leather edging. Light age yellowing, margins of title page fractionally dusty, small section torn away from blank lower margin of M4 with loss of signature letter, minuscule wormhole in upper margin, occasional marginal thumb mark. Crisp and clean in contemporary dark brown calf, covers bordered with triple blind rule, ink stain to upper cover, spine ends worn. A very good unsophisticated copy.
- This fifth edition is probably the original second edition with new editions of this hugely important and fascinating cookery book. One of only a handful of surviving copies of any of the early editions, and one of the first cookbooks to establish cookery as a fashion, rather than simply a practical guide to running a household. The work is divided into three parts, each with its own title page, the first two on new recipes for cooking, and the third “a New Booke of Carving and Sewing”(Sewing is the medieval word for serving). The prefaces, and its dedications, are to Mrs Martha Hayes in the first book and to Lady Browne in the second. The Author disparages previous cookery books “the most of which nevertheless have instructed rather how to marre than to make good Meate”. Murrell’s work was new, in that it established a new spirit of cookery and promises it is set it forth in the English and French Fashion . He openly appeals to “London Cookery” in opposition to provincial cookery. Murrell included many recipes he brought back from his experience of the new cuisine emerging in France. Unfortunately, the complete absence of any new French cookery books between 1560 and 1650 leaves a gap in our knowledge of the pre-La Varenne phase of development. In the third part of his book, Murrell also re-published sections of the first printed carving manual in English, “The Boke of Kervyne” of 1513. Though he reclaims carving as a task suitable for wives in aspiring ‘gentle’ households, he groups it with what he declares to be the most current and chic methods of cooking. In some ways Murrell’s use of this older carving manual seems a nostalgic throwback to an older style of hospitality, which he compares both negatively and positively to the new French methods. Despite its disdain for tradition, Murrell’s work includes many of the classics of British and French cooking recognizable today, including such things as rice pudding (though his recipe calls for the inclusion of ‘the smallest guts of a hog’). It also includes recipes using new world produce such as Turkey. Murrell's 'Book of Cookerie' is particularly rare in any edition; Only a handful of copies are known. STC 18303 recording only 3 copies in the UK and Folger and Library of Congress in the US. The first edition is known only by a subtitle at the Bodlein and the New York Public Library copy. No other edition is recorded. Bitting 336. Hull, ‘Chaste, Silent and Obedient.’ pp. 43-4, 187-88. Not in Vicaire, Oberle, or Alden.L1353

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Antiquarian category
ref number: 11236

Napier.   Alexander    
A Noble Boke Off Cookry
FFOR A PRYNCE HOUSSOLDE OR ENY OTHER ESTATELY HOUSSOLDE. REPRINTED VERBATIM FROM A RARE MS. IN THE HOLKHAM COLLECTION EDITED BY MRS. ALEXANDER NAPIER. LONDON: ELLIOT STOCK, 62, PATERNOSTER ROW, E.C. 1882.
4to. Half title. Title Page. (v-xiii) (1-136) 3fep. Nicely bound in half tan calf with marbled boards. Plain spine with red label with gilt lines and lettering. Excellent condition externally and internally with minimal staining. Printed on large paper with wide margins and uncut edges. There is a very light round red library stamp (about the size of a 5p piece) on the Title page, but not affecting the text.
- This very nice book is transcribed from a manuscript in the Holkham Collection and is dated; circa 1467. Those recipes, in turn, closely resemble recipes in another famous cookery manuscript called the 'Form of Cury' compiled about 1390. There is also on p.3. a printing of an aquatint engraving of the 'Peacock Feast' On Nov. 8th 1791, a bookseller was sued by the engraver of the 'Peacock Feast' for pirating the plate without permission. That aquatint plate was used to embellish a book called 'Antiquitates Culinaria' also about very old cookery manuscripts recording ancient Kingly Feasts. The original etching was done from a representation of a Saxon Feast on an ancient brass in St Margaret's Church, King's Lyn. It is also nice to find it as a head-piece, on p3. of this copy. On p.134, this book has an interesting glossary of obsolete medieval culinary words to be found in the 'Noble Boke of Cookery. A fascinating glimpse of English gastronomic history.

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Antiquarian category
ref number: 10925

Nignon   Edouard     - A special limited 2nd edition - #1445 of 2105.
Les Plaisirs de la Table
Ou, sous une forme nouvelle, l'Auteur a devoile maints delicieux secrets et recettes de bonne Cuisine, transcrit les precieux et de fins Gourmets fameux et de fins Gourmets, conseillers aimables et surs en l'Art du Bein Manger PREFACE DE M. ROBERT DE FLERS de l'Academie Francaise (A prinetr's device of a sheep) DESSINS de P.F. GRIGNON. A.PARIS CHEZ L'AUTEUR. 3, Place de la Madeleine et chez LAPINA. EDITEUR. 75, Rue Denfert-Rochereau Overage Depose
4to. Paste-down and fep with brown-on-brown design of food dishes and laid tables. 1fep. Half title. On the verso a breakdown of the print run stylishly designed as a wine glass and dated - April 15th 1930. Title page.[1] Dedication to A. Antonin Careme by Nignon. On verso - red illustration of a table setting. (1)ii-vii Preface by Robert de Flers. 1p Chapitre Premier. [1] 3-330. 331-334 Errata. 335-339 Table des Matieres. 1p Printer's device. 1fep. Last page and paste-down with brown-on-brown design of food dishes and laid tables. Text in black with many very fine red illustrations throughout. The start of each chapter is a full page illustrated design in red. Full original art nouveau style red and black paper cover with gold embossed lines in very good slightly faded condition. The spine has 1.5" chip at the top of the spine and a small chip at the bottom but has been finely repaired. Internally very clean. Edges untrimmed and many uncut.
- This handsome fully original copy of 'Les Plaisirs de la Table' is a true reflection of Nignon as a highly gifted chef who had a reputation for cooking very fine food. In print it is even recorded that at the time when Nignon was the Maitre Chef de Cuisine at Claridges Hotel in London, many in the trade thought him a superior craftsman to Escoffier, who was at the same time, Maitre Chef de Cuisine of The Carlton Hotel in Pall Mall. This copy although slightly larger page-wise than the first edition of 1926, is of a more pleasing design.

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Modern category
ref number: 11143

Nignon.   Edouard     - in fine original state.
Les Plaisirs de la Table
Ou, sous une forme nouvelle, l'Auteur a devoile maints delicieux secrets et recettes de bonne Cuisine, transcrit les precieux et de fins Gourmets fameux et de fins Gourmets, conseillers aimables et surs en l'Art du Bein Manger PREFACE DE M. ROBERT DE FLERS de l'Academie Francaise (A prinetr's device of a sheep) DESSINS de P.F. GRIGNON. A.PARIS CHEZ L'AUTEUR et chez J. MEYNAIL, Libraire, 30, Boulevard HAUSSMANN OUVRAGE DEPOSE.
FIRST EDITION. Circa 1926. 4to. Paste-down and fep with red and blue print design. 1fep. Half title. [1] 1p Dedication to A. Antonin Careme by Nignon. Frontispiece is a small red illustration. Title page.[1] (1)viii-xiv Preface by Robert de Flers. 1p Chapitre Premier. [1] (1)18-326. 1p Journal. [1] (1)329-333 Table des Matieres. 1p Printer's device. Last fep and paste-down with red and blue print design. Text in black with many very fine red illustrations throughout. The start of each chapter is a full page illustrated design in red. Full original blue and crimson paper cover in very good slightly faded condition. The covers supported by strong cardboard inserts. Internally very clean with pages slightly age browned due to the paper quality used at that time. Edges untrimmed. A nice original copy of an unusually well designed cookery book in Art Nouveau style.
- Edouard Nignon was born, one of eight siblings, in Nantes on November 9, 1865. At the very tender age of ten he was apprenticed to the restaurant Cambronne in Nantes, October 9, 1874. A year later, October 20, 1875, he entered the restaurant Monier, the best in the town. Some women there taught him to read and write in the style of the area. Later he worked in some of the largest Paris houses with the greatest chefs such as the Cafe Anglais and The Paillard, gaining a classic apprenticeship and elsewhere; Asst. Chef saucier at Chez Bignon. Chef saucier at Chez Voisin. Chef entremettier à l'exposition de 1889. Chef rôtisseur at La Lapérouse. Chef des cuisines at Marivaux. His many experiences and positions gave him access to the highest levels of society and a growing reputation. Nignon emigrated to Austria as Chef to the Emperor of Austria and then to Russia where he served the Czar and at L'Ermitage in Moscow and commanded a Kitchen brigade of 120 chefs. He also travelled to Britain where he held the post from 1894 - 1901 of Maitre Chef des Cuisiniers at Claridges Hotel in London. At this time another great Chef - Escoffier, was working at the Savoy and then the Carlton Hotel, Pall Mall. It is rumoured in print that there was a professional rivalry between the two chefs. The rumours indicate that many thought Nignon to be the more creative and precise craftsman. Nignon made his fortune and returned to Paris where he bought a house in 1908 and created the Restaurant Larue in the Place de la Madeleine. It became the most elegant in Paris, its customers were the finest in the world; artists, poets, writers, government ministers, stars of the stage, kings and princes, also cooking for President Woodrow Wilson. One client, le Marquis de Rouge, a prominent gourmet, once told Nignon that he liked and wanted a pink duck dish. Nignon created the famous ‘Caneton à la presse’, serving it with a bottle of Musigny 1884. He is also credited with creating the dish 'Homard à l'Américaine'. Nignon was also a successful business-man. Sacha Guitry, who knew him well, later wrote in the preface to one of his many books; ‘He always consulted with profit’. For the last years at his restaurant Nignon traded the chef’s toque for the Maitre d’ Hotel’s black uniform. His fame grew and grew. Observed going from table to table, advising a sole, offering a partridge, suggesting a dessert or a wine from his famous cellar, it was said that all Paris dined at his table. Nignon retired in 1921 and returned to Britain, where he died in 1934. (one year before Escoffier expired). Besides ‘Les Plaisirs de la Table’, he wrote two other great books: ‘L’Heptameron des Gourmets, ou, Les Delices de la Cuisine Francaise’, and ‘Eloges de la Cuisine Francaise’.

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Information

Modern category
ref number: 11134

Nignon.   Edouard     - In fine original condition.
E. NIGNON ELOGES DE LA CUISINE FRANCAISE
PRESENTATION DE SACHA GUITRY (A small illustration of game, fish, casserole and wine bottle) PARIS L'EDITION D'ART H. PIAZZA 19, RUE BONAPARTE. With an elaborate ornate illustrated blue/green border.
FIRST EDITION 1933. 238 x 190mm. 1fep. Half title. [1] Title page. [1] Pages 1&2 Presentation by Sacha Guitry. Dedication page to Robert de Flers. [1] 1page with large illustration in blue/green. [1] 11-426. 427-441- Index Alphabetique. [1]443-444 Index. Many beautiful illustrations thoughout. 1page Ouverges de Meme Auteur. 2feps. Text block in fine clean condition with many pages uncut. Original complete soft covers. The spine is age browned and the covers slightly less so, but everything as originally issued and clearly legible (See image # 1). A wonderful copy.
- While researching Nignon’s book I came across an article written in the Hotelkeeper & Caterer on 4th May 2004 by Michel Roux, the famous chef & proprietor of the Waterside Inn, Bray, Berkshire. It explained the book so well that I have copied the article in its entirety…….. “The cookbook I refer to most is 'Eloges de la Cuisine Française' by Edouard Nignon. It was originally published in 1933, but I found my copy quite by chance 35 years ago in a London bookshop. (It seems to be available only at auction now.) I knew about Nignon, of course - that he was one of our great chefs along with Escoffier and Carême, but I hadn't read anything that he'd written. As soon as I picked the book up and flicked through it I was hooked. I could sense the spirit of the man behind it - a man with a great passion for his career. Food for him was a life, a mission. He not only loved cooking, he loved to eat, too. And as well as being a great chef, he worked front-of-house in his own Paris restaurant, Le Restaurant Larue, in the early 20th century. That struck a chord with me, because when Albert and I first opened Le Gavroche in London we used to take it in turns to put on our evening suits and take the orders at the table. Something that made this book special was the fact that it really was ahead of its time. The way Nignon cooked would be totally acceptable today. His recipes show true respect for his produce, and they are light already - not dependent on cream at all. They rely on skill and the quality and taste of produce. This is why I love the book so much. The book is divided into three parts, with two-thirds being recipe-led and the remaining third being about Nignon's life. The first part is broadly on gastronomy, the second part is on the treasures of the kitchen - flavours, the table, etc - and the third part is written around different dinners that Nignon cooked. All the pages of my book are well-thumbed, and I can say absolutely that elements of many of my dishes have been inspired by the recipes and philosophies in it. Nignon passed on such a wealth of knowledge and wrote in such a passionate and inspirational manner - the beauty of a true master. The book is like a companion to me, because I can see part of myself in the book. It is truly inspirational to me - a work of art. Some of my more senior chefs at the Waterside have read this book, but as it is written in French and it is a very advanced book, it would have very little meaning to young chefs who are at the start of their culinary career, I think. It's one for when you are older.”

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Information

Modern category
ref number: 11195

Nignon.   Edouard     - Extremely rare Nignon menus.
Claridges Hotel London.
Two of Edouard Nignon's menus dated 1900.
Menu 1. 163 x 100mm. Cream coloured card with a bright embossed American flag. A ten course dinner menu dated 4 Juillet 1900. Obviously celebrating American independence day. A clean item still in very good condition, with the word 'Menu'. embossed in gilt. Menu 2. 147 x 82mm. Similar cream coloured card with two crossed flags, one being the Queen's Royal Standard and the other is the Union Jack. The menu is titled the 'Atlantic Union'. The flags and the word 'Menu' are brightly coloured and embossed. The menu has twelve courses and dated 19th May 1900. Clean bright menus in good condition housed in a cardboard folder covered with marbled paper and a label on the front cover. Very rare.
- Claridges Hotel, Brook St, London, has always been the most important hotel in the UK for diplomatic dinners and social functions. Even today there are approx. one dozen state banquets hosted during the season by the Queen personally, for various Embassies and visiting Heads of State. As both menus here are decoratively very handsome but understated, they appear to be above the norm. The first one for American Independence day could have been hosted by or for Joseph Choate the American Ambassador Extraordinary and Plenipotentiary to the Court of St. James's, presented 1899 and recalled 1905. The Chef de Cuisine at that time, Edouard Nignon, had a classic apprenticeship in some of the greatest French kitchens of the time. He diligently trained in all the main departments; Saucier, Rotisseur, Entremetier, Poissonnier, Garde manger, Patissier and Tournant. He was Chef de Cuisine to the Tsar and the Emperor of Austria, eventually becoming the owner of the famous Restaurant Larue on rue Royale in Paris. In between those two famous positions he was at Claridges Hotel from 1894 - 1901. He was known to be a fantastic craftsman and the food at Claridges was thought by many to be the best in London. This was despite having Escoffier ensconced at the same time in the Carlton Hotel, Pall Mall. As displayed below these 2 Claridges menus of Nignon's, came from a private collection of approximately 127 menus belonging to the great grandson of Camille Albert who was the Head Banqueting Waiter at the Carlton Hotel from 1898 - 1905. About 85 of the menus in the collection are from Escoffier's time at the Carlton, while the others are from other famous London venues. Escoffier's menus are relatively rare while on the other hand, Nignon's are extremely rare. This is possibly due to the fact that while Escoffier was a Chef de Cuisine at the Savoy and Carlton Hotels in London for almost 30 years, Nignon had a tenure in London of under 7 years. I have been searching for Nignon's menus for 30 years and these two are the first I have found.

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Information

Ephemera category
ref number: 11210

Nignon.   Edouard     - A rare signed copy.
Les Plaisirs de la Table
Ou, sous une forme nouvelle, l'Auteur a devoile maints delicieux secrets et recettes de bonne Cuisine, transcrit les precieux et de fins Gourmets fameux et de fins Gourmets, conseillers aimables et surs en l'Art du Bein Manger PREFACE DE M. ROBERT DE FLERS de l'Academie Francaise (A prinetr's device of a sheep) DESSINS de P.F. GRIGNON. A.PARIS CHEZ L'AUTEUR et chez J. MEYNAIL, Libraire, 30, Boulevard HAUSSMANN OUVRAGE DEPOSE.
FIRST EDITION. Circa 1926. 4to. Paste-down and fep with red and blue print design. [1] 1 plain fep with Nignon’s signature and a dedication written in ink in a beautiful cursive script; a Madame Erlanger Respectueux Hommages de L’auteur E. Nignon. Half title. [1] 1p Dedication to A. Antonin Careme by Nignon. Frontispiece is a small red illustration. Title page.[1] (1)viii-xiv Preface by Robert de Flers. 1p Chapitre Premier. [1] (1)18-326. 1p Journal. [1] (1)329-333 Table des Matieres. 1p Printer's device. Last fep and paste-down with red and blue print design. Text in black with many very fine red illustrations throughout. The start of each chapter is a full-page illustrated design in red. Full original blue and crimson paper cover in very good condition. Internally very clean with pages slightly age browned due to the paper quality used at that time. Edges untrimmed and many pages uncut. A nice original copy of the first edition with the author’s signature.
- Edouard Nignon was born, one of eight siblings in Nantes on November 9, 1865. He died in Britian in 1934 one year before his great professional French compatriot, Auguste Escoffier. Nignon considered by many contemporaries to have been one of the best chefs of the time. He wrote and published three main titles. Two editions of Les Plaisirs de la Table, the first published in 1926. Two editions, the first published in 1919 of L' Heptaméron des Gourmets, ou, Les Délices de la Cuisine Française. One edition, first published in 1933 of Éloges de la Cuisine Française. Copies with Nignon’s signature are extremely rare.

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Modern category
ref number: 11186

Nott.   John     - With the bookplate of 'Steuart of Allanton' one of the oldest Scottish families
The Cook and Confectioner DICTIONARY:
Or, the Accomplish’d Housewife’s Companion. CONTAINING, 1. The Choicest Receipts in all the several Branches of Cookery; or the best and newest Ways of dressing all sorts of Flesh, Fish, Fowl, &c. for a Common or Noble Table; with their proper Garniture and Sauces. 11. The best way of making Bisks, Farces, forc’d Meats, Marinades, Olio’s Puptons, Ragoos, Sauces, Soops, Potages, &c. according to the English, French and Italian Courts. 111. All manner of Pastry-workss, as Biskets, Cakes, Cheese-cakes, Custards, Pastes, Patties, Puddings, Pyes, Tarts, &c. 1V. The various Branches of Confectionary; as Candying, Conserving, Preserving, and Drying all sorts of Flowers, Fruits, Roots, &c. Also Jellies, Composts, Marmalades, and Sugar-works. V. The way of making all English potable Liquors; Ale, Beer, Cider, Mead, Metheglin, Mum, Perry, and all sorts of Eng-lish Wines; Also Cordials, and Beautifying Waters. V1. Directions for ordering an Entertainment, or Bills of Fare for all Seasons of the Year; and setting out a Desert of Sweeet-meats to the best Advantage: With an Explanation of the Terms us’d in Carving. According to the Practice of the most celebrated Cooks, Confectioners, &c. in the Courts of England, France, c. and many private and accomplish’d House-wives. The Second Edition with Additions. Revised and Recommended By John Nott, late Cook the Dukes of Somerset, Ormond and Bolton; Lord Landsdown and Ashburnham. LONDON: Printed H.P. for C. Rivington, at the Bible and Crown, in St. Paul’s Church-yard. 1724. [Price six Shillings.]
8vo. 2feps. [1] Frontis-piece by J.Pine. Title page in red and black type. [1] 4p Introduction with printers device at the top. 2p Divertisements in Cookery. No page numbers but by the Alphabet 1+AL-YO. 14p Bills of Fare and Terms for Carving and setting out Dessert. 17p Index. 1p Advertisements. 2feps. Beautiful original two-tone dark tan boards with a modern dark calf spine with rasied bands and blind tooling. With a dark tan label and gilt lettering. A nice tightly bound and clean copy.
- John Nott, Cook to his Grace the Duke of Bolton strikes one in no small measure as being quite eccentric, at least on paper. In his book, the dedication is addressed to ‘all good housewives’ and starts ‘Worthy Dames----‘ He carries on, ‘-----it is unfashionable for a Book to come abroad without an Introduction, as for a Man to appear at Church with-out a Neckcloth, or a Lady without a Hoop-petticoat----‘ further on he states, ‘----of which I am satisfied you are already very sensible, or extol my own Performance; however, I flatter myself it will not, to you, be unacceptable----‘ he further addresses the Ladies, ‘---I have not troubled you with Fucus’s and Paints, for the putting of false Faces upon Nature, because you, my Country Women, for the Generality of you (as is allow’d even by all ingenious Foreigners) stand less in need of artificial Faces (your natural ones being more amiable) than those of your Sex in neighbouring Nations, with all their Paintings and Daubings;-----‘ Nott un-does his own efforts near the end of the dedication by proclaiming, ‘---And, indeed, great Pity were it if this Beneficence of Providence should be marr’d in the ordering, so as justly to merit the Reflection of the old Proverb, that though “God sends us Meat, yet the Devil does Cooks”------.’ I am sure that if English and also foreign Housewifes, as potential customers, had read the Dedication before buying it, the sales of Nott’s book would have taken a severe dip. However in saying all of the above, it is after all, extremely scarce, interesting and well laid out. There are very few copies that come up for sale at auction, bookfairs, in antiquarian bookshops or dealers catalogues.

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Antiquarian category
ref number: 11037

Nutt.   Frederick     - an untrimmed copy.
THE IMPERIAL AND ROYAL COOK;
CONSISTING OF THE MOST SUMPTUOUS MADE DISHES, RAGOUTS, FRICASSES, SOUPS, GRAVIES,&c. Foreign and English: INCLUDING THE LATEST IMPROVEMENTS IN FASHIONABLE LIFE. SECOND EDITION. BY FREDERICK NUTT. AUTHOR OF THE COMPLETE CONFECTIONER. LONDON; PRINTED FOR SAMUEL LEIGH, STRAND; AND BALDWIN, CRADOCK, AND JOY, PATERNOSTER ROW. 1819
8vo 195x120mm. 1fep. Half title. [2] Frontispiece with signature 'Frederic Nutt Esq.' Engraved by Woodman from a Drawing by Satchell. Title Page. (1)vi-viii Advertisements. (1)x-xxiv Contents. (1)2-268. (1)270-276 Index. 1fep. Original cardboard boards with advertisements on both sides. Lightly age browned but still very clearly legible. Rebacked with 1/4 dark brown modern calf with raised bands with fine gilt tooling. Two labels, one red and one black with gilt lettering. Internally very clean with original untrimmed edges. A very good copy.
- The original advertisements on the front cover gives all the information for this book. Two interesting points; It states this is the second edition but the date on the cover is 1820, while on the title page it states 1819. The back cover is a full advert for Nutt's other famous book 'The Complete Confectioner' also dated 1820. The first edition for this book is 1809 and the first edition of 'The Complete Confectioner' is 1789. Also of interest, Nutt has his first name on the front cover spelt Frederic, and on the back as Frederick. Bitting has this second of 1819, Oxford the first of 1809, Cagle the first also, and the BL one of each. A very scarce book especially untrimmed and with the original boards.

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Antiquarian category
ref number: 11026

NUTT.   Frederick     - A superlatively rare find
Signed Hand Written Manuscript Recipe Book -- circa 1789.
The manuscript is in 5 approximately even sections with one fifth of the total pages blank: 1st section -- 214 numbered receipts with an index. 2nd section -- 59 numbered receipts with an index. 3rd section -- 9 pages of English spelling & shorthand studies. 4th section -- 69 pages of unnumbered receipts; mainly sweets, wines, cordials and pickles. No index. Frederick Nutt’s signature is on the very first page and in the 2nd section, above recipe # 42, for Currant Jelly. There is a date in the 4th section of June 10th 1826. The first section is almost the same as the 1st printed edition of Nutt’s 'Complete Confectioner' of 1789; It is almost identical in recipe sequence, recipe content and index. Out of 237 recipes in the 1st edition, there are only 44 recipes out of sequence in the manuscript. Most of the 44 recipes can be found in the 2nd section of the manuscript. The 2 biggest anomalies in the 1st section index are - # 1 -- the block of 6 ‘Cordials’ starting with recipe # 182. They are not asked for in the index of ‘The Complete Confectioner’. Anomaly # 2 – in ‘The Complete Confectioner’ there are 7 recipes in the chapter ‘Fruits Preserved in Brandy’ (recipe # 180) -- that are not in the 1st section of the manuscript, but scattered in the 2nd section. This is without doubt, Frederick Nutt’s own manuscript recipe book -- circa 1789, which he used to publish the 1st edition of his 'Complete Confectioner'.
16mo The manuscript measures 3 3/4" x 6 1/4". The book is dis-bound with back board present. The text block is tight. There are a couple of pages loose. All pages age browned. The text is small, neat, legible and in Nutt's handwriting throughout. Preserved in a brown cloth covered hand tied, folding sleeve. All held in a fine modern full tan calf clamshell box. Raised bands on spine with gilt lines and blind tooling in the compartments. 2 labels - one red, one green with gilt lettering. The boards edged with gilt lines.
- Although Frederick Nutt did not add his name to his famous book, 'The Complete Confectioner', it is understood that it was out of respect for another famous confectioner, Domenico Negri, at the 'Pot and Pineapple' shop in Berkley Square, where Nutt had been formally apprenticed. This probably means that many of the recipes contained in this manuscript and 'The Complete Confectioner' are from the 'Pot and Pineapple' as well as his later places of employment. All conscientious apprentices would keep a journal of all recipes seen and done, as they went about learning their trade. In this respect Nutt was no exception. One aspect of the manuscript that it is quite startling is how little editing happened between the manuscript and the published first edition of 'The Complete Confectioner'. Compared to today's multi-faceted approach and effort needed to get a successful cookery book onto the market, the manuscript and the subsequent book, surprise and amaze by their simplicity.

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Information

Antiquarian category
ref number: 10908